Posts Tagged ‘Los Angeles’

Rhyphte Reviews: ‘We Were Once Called Spring’ by Azuria Sky

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It’s finally summer, and I’m finished with college and coming out of hiatus. The last few months have been crunch, and I’ve had much less time to produce or review, but I’ve still been able to hear so many of the great new titles that have been dropping this year. Among them is yet another excellent indie-chip hybrid, a subgenre of a subgenre I’m starting to notice I have a weakness for.

We Were Once Called Spring‘ is Azuria Sky’s experimental and significant expansion into the constantly blending realm of folk and indie. It’s an eclectic assortment of LSDJ riffs, folksy chord progressions, and poignant, sentimental lyrics backed by acoustic guitar.

Album art for ‘We Were Once Called Spring’
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Chip Bit Sid Takes On: Glooms – ‘Vanilla Dome’

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I have had my hands full with Chip Bit Day, so instead of reviewing something new I decided to look back to an album that was released last year on ‘Datafruits’. ‘Vanilla Dome’ by ‘Glooms’ was a truly fantastic album. Created using a copy of Nanoloop 2 synced up to a Korg Electribe Drum Machine, Vanilla featured a vast amount skill with sound engineering and programming.

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Chip Bit Sid Takes On: Boaconstructor – ‘Winds Of Null’

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This year has been an excellent year for chipmusic using nanoloop. We’ve had a huge amount of releases ranging from the astounding ‘Geothermal’ by Classic Mistake, to the chilled as hell ‘Vanilla Dome’ by Glooms. This time we have Boaconstructor’s ‘Winds Of Null’. For context into ‘Boaconstructor’, he is a Seattle based musician who also runs ‘The Base bit’, one of the go-to net labels of chiptune. ‘The Base Bit’ have released a variety of accomplished albums such as ‘Refresh’ from Trey Frey, to ‘Steel City Zone’ by ‘HarleyLikesMusic’. It has been three years since ‘Boaconstructor’ has produced an album, with ‘Loop Dreams’ being released in 2015.

Whilst ‘Loop Dreams’ and ‘Winds Of Null’ were produced using Nanoloop, they are vastly different albums. ‘Loop Dreams’ focuses on using modulation to create weird and wonderful noises on a high BPM. ‘Winds Of Null’ on the other hand, focuses more on the bass, as well as detuning the melody and slowing down the music. For me I prefer Boaconstructor’s latest album, as I found it more accessible to listen to. The recording and mastering are also, in my opinion, much higher quality. Everything seems to pop better, with the levels balanced much better than ‘Loop Dreams’.

Album artwork by Dr!p.

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Chip Bit Sid Takes On: Paladin Shield – ‘Many Blessings’

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It is funny how plans can be altered within a second. Originally, I was going to review something else. However, just as I was about to put fingers to keyboard, I got an email: ‘Paladin Shield’ had just released a new album; ‘Many Blessings’! ‘Hot damn’, I said as I spent more money on yet another album. Below are three tracks that I loved off ‘Many Blessings’ and why I think it’s top notch.

Photo by jmswts.

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The Unicorn Princess Royally Reviews ‘Hue’ By MYRONE

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Happy March, folks!

Spring marches forward and the month is quickly coming to an end. Between the extra hour, change of sunlight, and good music, I’m feeling pretty good. This month, I wanted to share an album with the ChipWIN community that was brought to my attention by President Hoodie called ‘Hue’, by MYRONE.  While the album is not chiptune, anyone into tracker programming can easily appreciate programmed synths and acknowledge the time spent in recording, mixing, and playing instruments, especially guitar.

Cover art for MYRONE’s ‘Hue’

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