Posts Tagged ‘LSDJ’

Rhyphte Reviews: We Were Once Called Spring

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It’s finally summer, and I’m finished with college and coming out of hiatus. The last few months have been crunch, and I’ve had much less time to produce or review, but I’ve still been able to hear so many of the great new titles that have been dropping this year. Among them is yet another excellent indie-chip hybrid, a subgenre of a subgenre I’m starting to notice I have a weakness for.

We Were Once Called Spring‘ is Azuria Sky’s experimental and significant expansion into the constantly blending realm of folk and indie. It’s an eclectic assortment of LSDJ riffs, folksy chord progressions, and poignant, sentimental lyrics backed by acoustic guitar.

Album art for ‘We Were Once Called Spring’
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Intense Tech con Defense Mech – Un groove grooveante y trucos para los ticks. Parte dos

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Artículo Original de DEFENSE MECHANISM. Traducción al Español por Pixel Guy.

¡Bienvenidos una vez más a Intense Tech con Defense Mech! En esta ocasión continuaremos explorando los grooves. Una vez que hayas leído esta lección deberás de tener algunos trucos extra bajo la manga para hacer el groove de tus canciones aún más intenso.

Imagen hecha por @dethrood
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Chip Bit Sid Takes On: ‘Glooms’ by Vanilla Dome

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I have had my hands full with Chip Bit Day, so instead of reviewing something new I decided to look back to an album that was released last year on ‘Datafruits’. ‘Vanilla Dome’ by ‘Glooms’ was a truly fantastic album. Created using a copy of Nanoloop 2 synced up to a Korg Electribe Drum Machine, Vanilla featured a vast amount skill with sound engineering and programming.

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Chip Bit Sid Takes On: Starving GOGO – ‘Ozymandias’

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Ozymandias by ‘Starving GOGO’ (and distributed by Cheapbeats) has been under the radar for a while, being released back in October 2018. However, it is definitely one that people should pick up and get into. Last year I had the absolute privilege of meeting ‘Starving GOGO’ and having him play at Chip Bit Day 2018. Needless to say Starving GOGO’s entire set blew everyone away with his blend of chiptune, electrocore, and attention to detail in LSDJ. As well as playing live, GOGO also faced off against ‘Tekmann’ in a ‘ChipBattle’, playing some fantastic quick tunes that are actually featured on this album.

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This Month in The Overworld: Cinematronic

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Cinematronic's portrait by Pixel Syndrome.
Cinematronic’s portrait by Pixel Syndrome.

Ciro Mendoza is, in his everyday life, a 37 year old Information Technology professor, Software Developer and a Student of Multimedia and Sound and image careers. From the bowels of the west of Buenos Aires, Merlo, he can never stay still: he has also worked as a columnist for the video games section at a local culture mag known as ‘Los Inrockuptibles’ (a branch that previously existed in Argentina, that stemmed from the french magazine ‘Les Inrockuptibles‘) and participated in a project (that never came to fruition) trying to develop a game based in the popular argentinian comic book “El Eternauta” (The Eternaut).

With his chiptune project, going by the name of Cinematronic, all of this geeky exterior explodes into a punkish rage of noise, as I realized when witnessing his live shows. He is everything but meek. He sometimes makes me wonder what would have happened if The Stooges had incorporated chiptune music created to go alongside to the beats of Iggy’s frenetic and contorsionated stage moves from the 70’s.

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