Posts Tagged ‘\m/’

La mesa de trabajo de Mage – Episodio 1: Mezcla dinámica

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Artículo original de Dan from Techno Mage. Traducción al español por Pixel Guy.

Bienvenidos a La mesa de trabajo de Mage, una mini serie en la que hablaré de varios temas relacionados con la producción de audio; desde los secuenciadores (o trackers), hasta las DAW —y todo lo que haya en medio—. Mientras que puede ser que el material no siempre pueda ser aplicado directamente por ti, la meta de cada episodio es presentar técnicas de producción en una manera amplia y universalmente aplicable. En resumen: deberá de haber algo para casi cualquiera que trabaje con audio. Para la entrega inaugural, daremos un vistazo a cómo puedes utilizar la automatización para crear una mezcla refinada que evolucione a través del curso de tu canción.

Episodio 1: Mezcla dinámica

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The Mage’s Workbench – Episode 1: Dynamic Mixing

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Welcome to The Mage’s Workbench, a mini-series which tackles various audio production topics spanning from trackers to DAWs (and everything in between). While the material may not always apply directly to you, the goal of each episode is to present production techniques in a broad, universally applicable fashion. In short, there should be something here for nearly everyone that works with audio. For the inaugural installation, we’re going to take a look at how you can use automation to craft a polished mix that evolves throughout the course of your song.

Episode 1: Dynamic Mixing

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Leveling Up Your Artistic Identity – Episode V: Know Thyself

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Generally speaking, the most measurable and gratifying progress will surface when focusing on specific, actionable tasks. The less nebulous your goals, the more feasibly they can be achieved. That being said, it can sometimes be necessary to grapple with less tangible concepts. Amidst the throes of artistic development, it’s not uncommon to encounter feelings of self-doubt, inspirational drought, and mental fatigue. If this sounds familiar, some well-deserved ‘me time’ may be long overdue. While many of us might hesitate to pump the brakes for some healthy introspection, a quick self-diagnostic will help to keep your spirits high and your mind sharp.

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This month in The Overworld: Crab Sound

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Nestor Ovilla, also known as Crab Sound, is a Chiptune music producer and the founder of one of the first music collectives in his home country of México. Interestingly enough, he is also an illustrator, writer, and experimental photographer. Born in Tuxla Gutierres, the capital of the Chiapas state on the year 1991, he was always drawn to experimental art.

Crab Sound posing with a gameboy, his instrument of choice.

Crab Sound posing with a Game Boy, his instrument of choice.

On 2010, he started working with producing and programming his own EDM tracks, an activity that flourished with several projects besides of Crab Sound that he still continues up to this day. Self described as “A boy who inhabits an ice mountain, inventing sounds to make the robots and mutants break into dance”, here’s what he had to say about Chiptune.

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Leveling Up Your Artistic Identity – Episode IV: Cornering Your Market

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For many, the term ‘marketing’ can have an unsavory connotation – especially when applied to their own work. If this describes you, it’s time to reevaluate. While there are plenty of entities that use marketing as a means to questionable ends, we have to remember that marketing is merely a tool. Rather than look at marketing as a way to ‘control and manipulate people,’ think of it as a way to optimize the presentation of your work and ensure that it gets put in front of latent superfans. Previously, we looked at how to establish a series of themes and aesthetics that make up your ‘brand.’ Truthfully, that only covers half of the equation. The other half deals less with the nuance of identity and more with logistics. Now that you have a good idea of what to put into the world, we’re going to postulate how you plan to put it out there.

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This Month in The Overworld: Uctumi

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Always witty and to the point, this month’s The Overworld guest once said about hardware limitations “Challenge is the fuel that turns the cogs of creativity”.

Uctumi playing live.
Uctumi playing live.

Born in Buenos Aires in the year 1981, Uctumi is an Argentinian musician that began composing tracker music in 1996. Very active in the current local demoscene, he shares his views of Chiptune music and innovation in general in this interview.

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