Posts Tagged ‘musics’

Progression: Music Theory 113 – Simplicity, Restraint, and when Less is More

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Hey dudes and dudettes,

Last month we covered the idea of structure, form, and creating holistic musical statements. We’re at a point now where these concepts are quite difficult, so I highly recommend that you go back and read through my previous articles which will help contextualise what we know by this point. We’re building on what we talked about last month with all of the elements of music theory intermingling to create a single refined musical statement. We’ve learned all about how to make very exciting and high-brow musical material, but should it always be full of these difficult concepts? Is it sometimes okay to just use three chords and a simple melody? I guess it’s time to find out.

Let’s jam.

I’m so glad that this month’s post is about simplicity. This took me a grand total of 2 minutes to edit.

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Progression: Music Theory 112 – Structure, Sequence, and Creating Cohesive Musical Statements

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Hey dudes and dudettes,

I just dropped my album ‘Progression‘ over at Cheapbeats, and thought all of you might appreciate that you can get the .savs and .ftms when you buy the album. Learning! Woo~!

Last month we covered the idea of harmony and melody intertwining to create a holistic entity. Now, it’s pretty fair to say that we’re in deep and in order to understand some of the elements of what I’m writing about you should go back and read through my previous articles which will will help contextualise what we know by this point. We’re building on what we talked about last month with all of the elements of music theory intermingling to create a single refined musical statement. We will do this through the lens of structure and form.

Let’s jam.

This one time at band-camp I tried to summon Satan. I accidentally summoned a clarinet. Same thing really.

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Progression: Music Theory 110 – Development, Motifs, and Repetition

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Hey dudes and dudettes,

I’m back in the writing room organising music theory tutelage for you folks, and it just dawned on me that I’ve been writing for this website for more than a year now. Life is good.

Last month we covered the idea of pivoting into seemingly unrelated key areas. As I’m sure you are all aware I will strongly advise you to go back and read through my previous articles as they will help contextualise what we know by this point. This month is an interesting one. This isn’t a music theory topic per se, but rather a skill for musical architecture. We’ll be covering the idea of motific development and creating music that cohesively builds on its musical material.

Let’s jam.

I’ve got a weird feeling that I’m clutching at straws with this whole “weird photos of sheet music” thing.

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Progression: Music Theory 109 – New Harmonic Territory

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Hey dudes and dudettes,

Tuberz here with an awesome helping of music theory for you. I’ve spent the last few weeks detoxing from the release of The Great Australian Barbecue Bash (which was covered on this blog by a very hip and happening Chip Bit Sid). Last month we covered the idea of pivoting into closely related key areas, as well as harmonic planing. The usual disclaimer applies. Music theory is a vast topic, and if you don’t follow where we’re at with the content this month I would strongly recommend that you go back and revisit my previous articles. This month I’m covering the concept of pivoting into seemingly unrelated key areas. This is a deep topic, so it will be a bit denser than previous articles, but just as rewarding to read through.

Let’s jam.

Seriously, do you like… pay a guy to make weird photos of music theory or like what?

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Progression: Music Theory 108 – Extended Harmonic Devices, Pivoting, and Planing

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Hey dudes and dudettes,

Tuberz here with both the first post of the year 2018 for the Chipwin Blog (!!!) and my eighth article in the realm of music theory. Christmas was great. New Years was dope. I ate far too much food and to even that out, I need to let a little bit of air out of my fat head. Last month we covered the idea of Time Signatures and debunking the myth surrounding its difficulty by breaking it down into twos and threes. As I’ve been covering music theory for eight months now, if you have difficulty at any point, don’t dismay! Just backtrack through my previous articles to help get your head around the theory concepts I’ll be discussing. This month I’m covering additional harmonic devices that you can use, including the idea of pivoting to other key areas, and the idea of diatonic and chromatic planing.

Let’s jam.

not that kind of planing… but perhaps this kind is more exciting

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Progression: Music Theory 107 – Time Signatures and Subdivisions

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Hey dudes and dudettes,

Tuberz here with my seventh article in the realm of music theory, and how you can take theory principles and apply them to your own jams. I’ve just returned from a hecking good, heaps awesome trip to Finland for a research conference, and Japan for… well… Japan. I guess. This gave me lots of time to organize my thoughts on this topic. Last month we covered the idea of secondary dominant chords, and other functional chords for pivoting into other keys and tonal areas. By this point, my articles may seem more like science fiction novels with a grounding in theoretical physics, so I think it may be wise to peruse some of my other articles to help bring you up to speed. This article is going to cover my favourite topic: Time signatures. We’ll talk about some other cool rhythmic ideas as well.

Let’s jam.

Do you like pay people for reference photos of sheet music with weird stuff on it or are you just resourceful?

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