Posts Tagged ‘musics’

Progression: Music Theory 109 – New Harmonic Territory

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Hey dudes and dudettes,

Tuberz here with an awesome helping of music theory for you. I’ve spent the last few weeks detoxing from the release of The Great Australian Barbecue Bash (which was covered on this blog by a very hip and happening Chip Bit Sid). Last month we covered the idea of pivoting into closely related key areas, as well as harmonic planing. The usual disclaimer applies. Music theory is a vast topic, and if you don’t follow where we’re at with the content this month I would strongly recommend that you go back and revisit my previous articles. This month I’m covering the concept of pivoting into seemingly unrelated key areas. This is a deep topic, so it will be a bit denser than previous articles, but just as rewarding to read through.

Let’s jam.

Seriously, do you like… pay a guy to make weird photos of music theory or like what?

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Progression: Music Theory 108 – Extended Harmonic Devices, Pivoting, and Planing

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Hey dudes and dudettes,

Tuberz here with both the first post of the year 2018 for the Chipwin Blog (!!!) and my eighth article in the realm of music theory. Christmas was great. New Years was dope. I ate far too much food and to even that out, I need to let a little bit of air out of my fat head. Last month we covered the idea of Time Signatures and debunking the myth surrounding its difficulty by breaking it down into twos and threes. As I’ve been covering music theory for eight months now, if you have difficulty at any point, don’t dismay! Just backtrack through my previous articles to help get your head around the theory concepts I’ll be discussing. This month I’m covering additional harmonic devices that you can use, including the idea of pivoting to other key areas, and the idea of diatonic and chromatic planing.

Let’s jam.

not that kind of planing… but perhaps this kind is more exciting

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Progression: Music Theory 107 – Time Signatures and Subdivisions

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Hey dudes and dudettes,

Tuberz here with my seventh article in the realm of music theory, and how you can take theory principles and apply them to your own jams. I’ve just returned from a hecking good, heaps awesome trip to Finland for a research conference, and Japan for… well… Japan. I guess. This gave me lots of time to organize my thoughts on this topic. Last month we covered the idea of secondary dominant chords, and other functional chords for pivoting into other keys and tonal areas. By this point, my articles may seem more like science fiction novels with a grounding in theoretical physics, so I think it may be wise to peruse some of my other articles to help bring you up to speed. This article is going to cover my favourite topic: Time signatures. We’ll talk about some other cool rhythmic ideas as well.

Let’s jam.

Do you like pay people for reference photos of sheet music with weird stuff on it or are you just resourceful?

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Progression: Music Theory 106 – Secondary Dominants, Modulation, and Temporary Tonicization

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Hey dudes and dudettes,

Tuberz here with my sixth article in the realm of music theory, and the underpinnings of musical witchcraft (knowing lots of cool chords and stuff). Last month we covered the idea of chord substitution from the natural chords found in our modes in an attempt to jazz up our chord progressions to provide a more lush harmonic landscape. By this point my articles may be very hard to follow if you don’t have prior theory knowledge, so it is my strong recommendation for you to you go back and read my previous articles. This article is going to cover the use of secondary dominants in an attempt to solidify chord structures, modulate to other keys and harmonic areas, and temporarily set our tonic to a different chord.

Let’s jam.

Surely you must be running out of images of notation by now. It’s definitely a bit of a niche.

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Sladerfluous Reviews: ‘Diafon’ by Vian

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October goes out in a glorious cascade of Norwegian flare with ‘Diafon’ by Vian.

‘Diafon’ by Vian is absolutely, positively guddommelig.

If you, like me, don’t have the pleasure of the ability to understand Norwegian, that’s okay. ‘Diafon’ offers depth beyond understanding the lyrics, part of the charm lies in letting go and allowing Vian to sweep you into their euphoric sound. I almost don’t want to google translate the entire lyric set. ‘Diafon’ is prolific with an expansive compositional structure that forks and turns with deliberate precision, creating pockets of wonder between instantly gripping hooks as transitions tease your expectations. ‘Diafon’ holds so much power in its delivery, yet manages to employ that power in concentrated, intentional doses for maximum impact. Production values are crisp and professional, making ‘Diafon’ a stellar release destined for album of the year status.

Soft swirls of piano, tight drum work, dreamy acoustic guitar, ringing electric guitar, hypnotizing vocals, and fleeting electronica find common ground on Vian’s alternative indie journey of expressive, progressive sound that gels so well together you’d think the band had been together for decades. Tracks range from ethereal alt-folk-electronica to prog-rock power ballads as Vian traverses ‘Diafon’ with confidence and a defiantly strong sense of self.

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Progression: Music Theory 105 – Modes, Modality, and Chord Substitutions

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Hey dudes and dudettes,

Tuberz here with my fifth (can you believe it’s already been that long?) installment in my series of articles centered around the understanding and application of music theory. Last month we covered chord voicings and counterpoint in an attempt to make our progressions sound smoother. As I stated last time, this stuff is starting to get pretty bonkers difficult if you don’t have prior theory knowledge, so I strongly recommend you go back and read my previous articles. This article is going to cover the use of the seven traditional modes in a harmonic context, along with the idea of modal mixture and chord substitutions which will help you add some spice to your chord progressions.

Let’s jam.

ah yes spicy music i love me some coriander on my music

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