For this month I’ve been really busy with a variety of different chiptune projects, and so I’m doing a reblog of an Article I wrote back in early 2018. ‘Classic Mistake’ is a an artist I’ve only recently come across, beginning with a cover of 0F Digital’s, ‘Mesh’ and featured in ‘The Great Australian Barbecue Bash’ compilation. What I liked about ‘Classic Mistake’ is that he almost exclusively uses ‘Nanoloop 2.0’, creating some fantastic hooks which are reminiscent to early techno. ‘Geothermal’ is Classic Mistake’s first album released under ‘Cheapbeats’. Below I have selected three tracks that stood out for me of ‘Geothermal’.
Whilst everyone is engaged with the Chiptunes = WIN compilation over August, one of 2018’s greatest chip albums has just been released; ‘A Vision of Light’ by Canadian 16bit based band, ‘Villainest’. It’s been a while since their last album, ‘A Good Day to Try Hard’ was brought to my attention, much to critical acclaim. I reviewed it on ChipWIN, giving it high praise, also rating track ‘The Machine’ as one of my ‘Top 10 songs of 2017’. ‘A Good Day To Try Hard’ was a great introduction to an already incredible band, however it is nothing when to compared to their latest release ‘A Vision of Light’. How you may ask? Let’s find out through a few tracks that picked my fancy.
This week instead of the normal chipmusic that I usually review, I thought we’d look at something slightly different with the latest compilation by ‘Kitty On Fire Records’. For those who haven’t heard of them, ‘Kitty On Fire Records’ is a net label that releases all things Heavy electronic. This includes the genres associated with chiptune, such as ‘Nintendocore’, ‘Anime Breakcore’, ‘Glitch’, ‘Digital Hardcore’ and many more. I’ve been following ‘Kitty On Fire’ for a while now, with my biggest purchase being the cassette edition of this album.
This is forth installment of the compilation, which features 1-2 tracks from several artists across the world. For this release I’ll be reviewing three mind shattering tracks that really hooked me.
For this week’s review, I have the distinct pleasure of reviewing the newest album of one of my biggest influences – HarleyLikesMusic’s new ‘Steel City Zone’ as released on Thebasebit. I’ve known Harley for a few years now, first meeting him just before he got into making music on LSDJ and to say his music leaves an impression would be an understatement. After two wildly successful albums released on the Cheapbeats label, Harley is back again with his old tricks – and some new ones too. As someone who cites Harley as a major influencer of my own techniques, I think I’m quite lucky that I get the chance to talk about this with you – it’s not often one gets to discuss someone who has brought so much to the LSDJ game.
Hello, how are you all doing today? This week I’ll be reviewing a very interesting album called, ‘Tribal Rock’ by, ‘Kosmic Tantra’ and it’s an incredible selection of tracks to say the least. To give you context, ‘Kosmic Tantra’ are a french 3 person electronic rock band, consisting of a variety of different unique instruments; from the staple gameboy running LSDJ, to the more abstract, Didgeridoo and Accordion. Yes, you heard that right; throughout the entire run time of the album you’ll be hearing amazing ‘Eastern outback instruments’ whilst chiptune & electronic music are used as the backbone of each track. A first for the genre, I think!
This month, we were graced by a new Cheapbeats release written and produced by UK electronic artist, Gesceap. Released on May 4th, the seven track album is full of glitchy percussion and hypnotic melodies composed with Nanoloop. With a variety of digital elements comes a strong song structure created from from samples and soft synths. Interestingly enough, this was the first Nanoloop iOS album ever released on Cheapbeats, so on top of the sound being sublime, listeners can hear history unfolding right before their ears.
When I listen to a record, just like how when I make one, I tend to listen and check my mixes on both my studio speakers and headphones. I’m currently on the road and, as I write this, I’m limited to my iPhone speakers. Just from hearing it from this extremely limited audiosource, I can say the album’s mixes are done very well. The percussion cuts through perfectly, and the bass holds its own space without creating a centimeter of mud. While an album isn’t just about a great mix, I can honestly say that each track was wonderful to listen to and the album itself was easy to listen to at one time. As a whole, it was unique and beautiful, and I can see why Cheapbeats proudly released it.