Always witty and to the point, this month’s The Overworld guest once said about hardware limitations “Challenge is the fuel that turns the cogs of creativity”.
Born in Buenos Aires in the year 1981, Uctumi is an Argentinian musician that began composing tracker music in 1996. Very active in the current local demoscene, he shares his views of Chiptune music and innovation in general in this interview.
This month’s artist is as skillful with words as he is with music. An artist that loves to experiment with different types of artistic expression, and a designer at heart, he often dazzles everyone with his ability to communicate his enthusiasm, verbally and visually. It’s pretty clear from his social media profiles that he takes Chiptune seriously, and it’s very refreshing to see such an unbridled enthusiasm.
His first album was titled ‘Bomb Crusader’ and his friends influence is definately felt on his latest album, named ‘Blaster Raster’, after a lifelong connection that he shared with a rastafari that endured a life threatening motorcycle crash.
Knasibas has been my friend for awhile now, and I’ve been a fan of his music for even longer. In case you haven’t heard of him, he’s a chiptune/bitpop genius who has been featured on Tracked and Chiptunes = WIN compilations, along with releasing music independently since 2015. Inspired by the sugar rush of jpop, the writing in heavier rock/metal, the appeal of videogame music, and EDM sensibilities, Knasibas has a unique overall sound with distinct and memorable melodies.
So now that you know what to expect, I’m really excited to talk about his latest album ‘CRY’. This release has a lot of depth to it, but the great sense of style speaks for itself. It’s inviting, open and up-front, and I find that… comforting. So rather than try to talk about everything and how it works, I’ll be honing in on that sense of comfort, and figuring out why it stuck with me. Hope you like it!
Hey guys! Tuberz here with a little bit of something different. Follow along at home, and prepare to read something you don’t often see associated with Chipmusic.
Those of us who create content understand the difficult nature of progression. I don’t mean story progression. I don’t mean a jazz standard progression like a ii-V-I. I mean the progression of our craft. When we create something we want it to succeed more than our last venture. We want to get better. The real question that people arrive at is ‘how?’ What if I said I had a possible answer for all of you brilliant readers out there? Does that sound good? Good. Let’s jam.
This word may strike fear into the heart of many (and with good reason), but you will soon learn to love it.
Whoah right? We just make music on a Game Boy, a NES, maybe a Megadrive/Genesis if we’re super highbrow. Research is reserved for academics right? I gotta get a Ph.D for that right? Wrong. Let’s take a look at the word research.
HEXAWE (which is brilliantly abbreviated from Hexadecimal Awesome!), is an international net label featuring artists and tracks created with LGPT, also known as Piggy Tracker (which is programmed by Marc Nostromo). Managed and run by several bosses who created a ‘low-level chaos wiki’ website, this label has released several compilation albums which include the HEXAWE catalog, casio relapse compo, and the very compilation this review will cover, ‘TURNTNES‘. This 17-track compilation — released on July 16, 2015 — features submissions from an eclectic mix of artists including Peter Swimm, PaK-Zer0, and overnrake (to name a few), and celebrates the 10-year birthday of this beloved program. The hitch? Submissions include a sample pack recorded by Doomcloud (an artist that boasts having traveled around the world 31 times by the ripe age of 14) straight out of his Nintendo Entertainment System with a MIDINES, and were only allocated up to 500k worth of the artists’ ‘own’ vocal samples.
A recipe; the ingredients; the cookware — all crucial to preparing your meals and satiating your growing hunger.
The very same analogy holds true for chipmusic: the personality that a musician puts into their work; the level of composition the song yields; and the success of mixing which helps to amplify the song. In this sense, the composition is the recipe; personality the ingredients; and the method the musician is producing their album on and the song mixing is the cookware.
You’re probably thinking why I’m making all of these silly analogies to food and food prep, am I right? Without further adieu…