Posts Tagged ‘Pop’

Meaning in Chaos: Cityfires – ‘CCL Dive’

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Cityfires’ latest release is fire. That pun is too easy not to make, but I really mean it. With buoyant emotional synthpop, some of the most magnetic sound design I’ve heard all year, and fascinating lyrics – this album’s spirit is most deserving of the title “adventure” out of all that I’ve written about. It’s full of surprises and seriously fine-tuned, with tracks like ‘The Tangle’ trimmed down to interesting ideas, while others such as the titular song take the time they need for a core feeling to hit home.

Full to the brim with electric melody lines, immersive sound design, and creative mixing decisions, this fifteen-track masterpiece never sacrifices quality for quantity. Tight vocal tracks are infused with textured electronica, and organic instrumentation as well. Instrumentals are just as diverse: ‘Daybreak Apparatus’ echoes the peppy videogame joy of earlier ChipWIN comps, while ‘Dreamshifting’ feels like some more recent chiptune which draws from mathrock. Alternatively, ‘Mothfold’ defies description. The whole album is kinetic, and really integrated, a trip through clear landscapes and sights to behold.

It is also a story of hope in moving forward.

Art by Alex Spivey
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This Month in The Overworld: Cyanide Dansen

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This month’s artist is Cyanide Dansen, an avid chiptuner who crafts deliciously catchy melodies. Based on Paris, France, her latest release, “Do no harm”, will have you swinging through the dance floor in no time.

Cyanide Dansen performing live.
Cyanide Dansen performing live.

But was Paris where it all started for her? Marie P., whose alter ego is Cyanide Dansen, was born on Epernay, France. She grew up in Rheims, where is where she met the people who encouraged her to create chiptune music for the first time back in 2011.

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Rhyphte Reviews: ‘We Were Once Called Spring’ by Azuria Sky

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It’s finally summer, and I’m finished with college and coming out of hiatus. The last few months have been crunch, and I’ve had much less time to produce or review, but I’ve still been able to hear so many of the great new titles that have been dropping this year. Among them is yet another excellent indie-chip hybrid, a subgenre of a subgenre I’m starting to notice I have a weakness for.

We Were Once Called Spring‘ is Azuria Sky’s experimental and significant expansion into the constantly blending realm of folk and indie. It’s an eclectic assortment of LSDJ riffs, folksy chord progressions, and poignant, sentimental lyrics backed by acoustic guitar.

Album art for ‘We Were Once Called Spring’
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Chip Bit Sid Takes On: Starving GOGO – ‘Ozymandias’

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Ozymandias by ‘Starving GOGO’ (and distributed by Cheapbeats) has been under the radar for a while, being released back in October 2018. However, it is definitely one that people should pick up and get into. Last year I had the absolute privilege of meeting ‘Starving GOGO’ and having him play at Chip Bit Day 2018. Needless to say Starving GOGO’s entire set blew everyone away with his blend of chiptune, electrocore, and attention to detail in LSDJ. As well as playing live, GOGO also faced off against ‘Tekmann’ in a ‘ChipBattle’, playing some fantastic quick tunes that are actually featured on this album.

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Chip Bit Sid Takes On: Shortee – ‘Lost’

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After a month off to focus on other matters, it feels good to be back reviewing music at ChipWIN. ‘Lost’ by Shortee was an album that slipped under my radar last year, but as soon as I started listening to it, ‘Guten Morgen’ immediately became one of my top 10 tracks of 2018. That said, the album has plenty more songs worth delving into, so I wanted to do a showcase on The ChipWIN Blog and dive into Shortee’s debut album.

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THE CLOVER AWARDS: 2018

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The new year is in full swing – MAGFest has come and gone, Chipwrecked is preparing for another great lineup, and we’ve already got a few fun 2019 chiptune releases! But such an active community also makes for a lot you may have missed, and I’d like to give the last year a final sendoff before moving onto this one. I’m proud of the work I did in 2018, but there was a lot I didn’t get to talk about as well. This scene is bursting with music to enjoy and appreciate, so while I can only cover a small portion of it, I’d like to try and spotlight some tunes that deserve the attention.

Naturally, I will be doing this in the silliest way possible.

(Collage by Hoodie)
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