Yo! Welcome back to Raw Cuts With Kuma! This time around, I hit up chipmusic.org to scope out some talent to interview, and oh lawd, did I find someone special! A young man with skill to spare, this underrated chiptune artist shattered his silence to great acclaim when he popped his performance cherry earlier this year at North Door! This highly adept musician recently took the time to sit down with me and talk about his music, the people who inspire him, and the dedication he has to the craft of chiptune. So without further ado, I present to you my interview with Matthew Rodriguez, aka Star Fighter Dreams!
Kuma: So before we get started, there’s something I gotta say. I spent time listening to your music on SoundCloud and I gotta admit, not only did I like what I heard, but I’m now saddened by the fact that I missed your open mic session at Blipfest last year!
Star Fighter Dreams (SFD): oh no that one was from 2011! I was on the roster open mic 2012 but never got called. I was disapointed but no worries
Kuma: Well at least now I can say I didn’t miss an awesome set I could have made it to, ’cause god damn man! Your stuff is good, bro! It’s lively as hell, and it’s got more polyphony to it than a lot of other chip I’ve heard, but I take it that’s on account of your set up! Tell me, what exactly do you use to make your music and how’d you get into chip in the fist place?
SFD: Okay. Let’s start with getting into chip music.
I got into chiptune around early 2008. March, I think, while I was browsing around on the then relevant MySpace for electronic powerpop bands, I came across a profile picture of Sabrepulse jumping off a table.
I thought to myself “What is this guy all about?”. So I clicked on his profile and when it loaded up, some of his early chiptune works started playing. At first I was pretty meh because I had no idea of what the process was.
Kuma: I think I know exactly which picture you’re talking about. What was it that was the turning point for you? When did you go from saying “meh” to “whoa”?
SFD: There was link to the 8bitpeoples website on his profile, so I clicked on that. At the time, 8bitpeoples and 2 Player Productions had just finished their collaboration documentary called ‘Reformat The Planet’. On the 8bitpeoples website, the first page was the trailer for the documentary that was being premiered mere weeks away in Austin for the SXSW film fest.
That trailer changed my life.
In it was the framework for me to find out what kind of music I wanted to make and the ethos I had been looking for all along. It didn’t glorify nostalgia for video games, it glorified people and their creative abilities to make this technology do what it was never designed to do.
After I saw that trailer I began collecting. Information, trackers, albums, anything that could help find out more about this awesome creative force seemingly brimming beneath the surface. After much deliberation, I bought a Game Boy and my first LSDJ cartridge in late August/early September 2008
Kuma: Wow. That’s quite a story. I’m glad you took that from that movie. While, admittedly, I’ve yet to get around to seeing that documentary myself (gasp!), that philosophy behind the tech we use to make the music is one I’ve always held: that we as a disposable society aren’t pushing our tech to it’s fullest potential. Chiptune represents us pushing to the edge.
When you finally picked up that Game Boy, how did it feel in your hands? Was using LSDJ intimidating or did you have prior musical experience you could carry over into chiptune production?
SFD: I had used an emulator to run a demo of LSDJ to try and figure out the controls. Trackers have a huge learning curve, and I admittedly had no idea what I was doing most of time using the emulator, but I eventually figured out how to input notes and move between screens.
Other than that, though, I was working from a non-music perspective. I hadn’t used an instrument or read music since I was in 8th grade so it was also daunting in that respect. Luckily, I took a music theory course in college and that laid a good ground for me to experiment with music theory while also learning it
Kuma: Very nice. Now, when you first started to feel confident with what you were making on LSDJ, did you decide you wanted to play live soon after, or did you feel there was still something missing?
SFD: I had my first full set as Star Fighter Dreams this June so I guess you could say there was something missing. Lurking on 8bitcollective and CM.O, I’ve learned there were plenty of people willing to get into chip and write music but only because they thought it was cool.
I felt that my music should show respect to those that came before me and at least make people feel good, which is I have only just started playing shows and still haven’t released any proper EP or album.
Kuma: I noticed that, actually. I scoured the net for more music of yours beyond what was on your SoundCloud, such as Bandcamp, NoiChan, ucollective, CM.O, and even Myspace. Nothing. Nothing at all. But from what I did hear, it was definitely very cool.
Who would you say are your biggest influences musically? Is EDM something you were always into prior to chiptune or did it take chiptune to get into it?
SFD: I was definitely a fan of electronic music before hand, but I really got much more into it once I started making it. My biggest influences currently are: IAYD, Bit Shifter, Rage Against The Machine, Bath Aide, Saskrotch, Arcade High and many more artists.
Oh just fyi, I have song on TX Chip Compilation 1 and there is a super old song still on MySpace somewhere. That one I believe is like the third song I ever wrote on LSDJ! LOL! Memories.
Kuma: Oh, I’ll have to look up the Texas chip one, but when I went looking on Myspace, it gave me a broken link page. That, in turn, resulted in profound sadness.
Is there anything we can expect to see of you in the future? Any appearances at major festivals, or perhaps an album form you in the near future?
Kuma: Nice!!!! After having seen IAYD recently, as well as listening to your music, I can definitely say this is a show I wish I could hit up!
SFD: It’s in December, so save up and come on down and see how we do it down here
Kuma: Oh man! December? That’s so close to MAGFEST! Oh man, don’t do that to me, bro!
SFD: Peer pressure! Peer pressure! Peer pressure! Y’know you wanna!
But yeah man, next time I’m in New York, the drinks are on me dude.
Kuma: Like wise, bro: next time I’m down south and I know you’re around, all the pabst 5 dollars can buy…I’m pretty sure that’s all of it! Anyway, is there anything you’d like to say in closing to our readers out there?
SFD: It’s Star Fighter Dreams here saying it’s three words, not Starfighter Dreams, that’s dumb.
But in all seriousness, expect some pretty cool things coming up and remember TX Chip is alive and we have some stellar talent here so don’t overlook that Lone Star State when thinking of chiptune.
Love from here in San Antonio,
Kuma: Awesome, bro! Thanks for doing this interview! This was a lot of fun!
SFD: Haha! Same here, man. You take it easy and keep being awesome.
Thanks again for tuning in with me here at Raw Cuts! Don’t forget to follow SFD on SoundCloud and like/follow Lazybit Collective so you can keep up with all the cool happenings in TX!
Welcome back, ChipWINners! This time around on Raw Cuts we have someone that I’m very proud to have had the chance to interview! A highly popular contributor to Chiptunes = WIN who’s made a name for himself on the west coast, this artist boasts infectious dance rhythms and club beats that blur the line between chiptune and electro with spectacular results! Without further ado, here’s my interview with Jack Waterman aka Electric Children!
Kuma: Cool, so lets get things started shall we? First things first, I haven’t asked this question in a while of any of the artists I’ve interviewed, but I’m actually quite curious about your artist name. What made you decide to use it?
Electric Children (EC): Aha! I like getting this question! You’d be surprised how seldom it comes up. The name comes from the album March on, Electric Children! by The Blood Brothers, a now broken-up grindcore band from Seattle. Its a themed album so there’s all this stuff about what Electric Children are and stuff and I was like 16 and I thought, “Yeah I wanna name a music thing that someday.” So I did.
Kuma: Really? Nobody really takes the time to ask you about that? I figured it’d come up more, but considering how kick ass your music is, I guess it goes right to the back burner. That being said, lets talk about your music. I wanna hear how you got involved in all this chiptune business.
EC: Well, I had started to make really basic electronic music with a drum machine and a keyboard for awhile, then a friend introduced me to a couple of local artists who played chiptune music. Our sounds worked well enough together, so we started performing together on a pretty regular basis. I was exposed to it so often that it became pretty irresistible and I added to my music. Over time, it ended up taking precedence over everything else for a variety reasons, and before I knew it, I was full-on Chiptune artist by the end of 2008.
Kuma: Nice! I’m relatively new to the scene in comparison to you, having only been in it for a little over a year now, but I know the west coast has some strong artists out there to keep the scene going. Back when you first started, which chip artists were you exposed to that helped you get into the scene and define your sound? I’m also curious to know which ones help to define and inspire it now that you’ve been doing this sort of thing for what sounds like at least 5 years.
EC: Well the two artists who I was performing with frequently at the time were Kids Get Hit By Buses (founders of the internet-infamous CrunchyCo netlabel) and Fighter X (who just recently became active again). Aside from them, the early chip artists I was exposed to were Sabrepulse from the UK and USK from Japan. From there I learned about like 5,738,216 more chip artists from 8bitcollective, and the story goes on.
Oddly enough what has always influenced me over the years of producing is non-Chip music. It’s really fun for me to try and make chiptune versions of the sounds I hear in popular club music, and be less oriented towards video game sounds. I like a lot of music by Madeon. I’m a huge fan of She. My dubstep is heavily influenced by Flux Pavilion, and I’d probably say Sabrepulse continues to be one of my biggest Chiptune influences. I draw little pieces of things from all sorts of people around me, but those are the big ones, I think.
Kuma: Very nice. She and Flux Pavilion are definitely understandable influences, as is Sabrepulse. I’d be lying if I said I didn’t still listen to First Crush on a daily basis. That being said, as time has progressed, while I know you mentioned that the chip sound has slowly become more and more the focus of your work, how much of what you do is chip vs what you may do to enhance and compliment the sounds in FL studio? I know everyone has their preferences, and it’d be cool to know what yours is when it comes to producing music.
EC: The new album’s main material is made using only 2 gameboys running LSDJ, but quite a few songs have small instrumental compliments (such as a short synth or a guitar riff), and many of them have vocals over them as well. While the instrumental tracks aren’t necessarily enhanced with effects, there are small parts that fill out a few spots in the frequency ranges that I couldn’t always hit with LSDJ the way I wanted. Though to be honest, I am planning on having FL Studio be the core of my next set of work, with songs composed mainly of sounds recorded from LSDJ, but sequenced, mixed, mastered in, and complimented more by FL Studio.
Kuma: That’s understandable. For as amazing as some of these micro programs like LSDJ and LGPT are, there are def times when it takes that little something extra to give a song that final polish it needs.
That being said, since you brought up the topic of your new album, let me just say something about it first: your solo work as Electric Children has been amazing. I loved it since I first heard you and boaconstructor throw down via Frost Byte’s album release party on LIvestream. I thought you just killed it. But this new album, man. Dude, this is your Discovery, your Fat of the Land, man! How proud of you of Year Long Hangover, man?
EC: Extremely! Haha! YLH has (ironically enough) been in production for over a year now, and undergone so many changes in sound design, composition, concepts, lyrics, and just about anything else you can think of. It had so much work put into it because I wanted to release something that shows what LSDJ is truly capable of: music that stays faithful to the genre while still being very listenable to a non-Chiptune fan.
Kuma: I definitely have to say you reached your goal, because the first thing I thought when I was listening to it was: “God, I can use this to explain to all the people at my job what chiptune is without sounding crazy!”
EC: Yeah Chiptune is definitely a genre that needs to be shown instead of told about.
Kuma: It really is, and while I’ve had some success via sharing Br1ght Pr1mate and Bit Shifter, most people still look at me like “I’ll believe it when I see it”.
That being said, lets talk about some of the major differences between YLH and your other work, particularly the vocals. What made you come out of your shell this time around to lay down those lyrics? What about the lovely young lady who contributed to the album, as well? Was it daunting recording and incorporating vocals of yourself and close friends?
EC: It had its challenges, sure. When I first started writing music it actually all had lyrics, and evolved into instrumentals over time, so this was something I’ve always wanted to come back to. Writing lyrics is never easy though; you have to keep in mind that your voice is an instrument in itself, so the words can’t be too busy or lack rhythm. But it gives the songs a whole new dimension that is easy for people to grab onto and remember for a long time. Plus singing is very fun.
The two(!) other female vocalists on the album were very easy to work with and did a fantastic job, as well. While putting the vocals together was difficult at times because it involved a lot of back and forth sending song files around, in the end it was a fun experience that turned out to be totally worthwhile.
Kuma: I’m certainly glad it was worthwhile for you, because it’s been worthwhile for me as well as all your fans! People have been eating this album up like crazy and after a wildly successful album release party to promote it, I’m curious what comes next for you? Aside from the aforementioned future project involving more FL work, of course. Any shows or concerts we can expect to see you at over the course of the year?
EC: In the short term, I’m performing with A_Rival in Seattle on the 27th(!), so any locals should come and hear some crazy good chip jams. In the long term, I’ve been talked to about a couple big things, but nothing I have confirmed yet. I’m also working very closely with A_Rival now that he’s moved to Washington, and he’s got some cool stuff in the works as well!
Kuma: A_Rival is legit on all levels, and having partied with him at MAGFest, I can say its always a pleasure to be around him! I’m definitely looking forward to whatever comes of that. With that said, Jack, it’s been a pleasure conversing with you. You’re talented, kind and thoughtful and I’m honored to have had the chance to interview you. Is there anything you’d like to say in closing to your fans and anyone who might be reading this?
EC:Thank you so much for taking the time to read my thoughts and ramblings on chiptune music! Please check out the new album, Year-Long Hangover, and tell me what you think! Thank you Adam and ChipWIN for letting me do this too, it’s been awwwwwwwesooooommmeee!!!
Kuma: Thanks again, EC. I definitely hope we get to do this again. Good night.
EC: Good night!
Thank you once again for checking out Raw Cuts! Be sure to click the links bellow so you can Like, Follow and Subscribe to Electric Children on your favorite of social media outlet(s)! Also, don’t forget to check out his music on Bandcamp and Soundcloud, as well as checking out his upcoming show on the 27th with A_Rival, Dire Hit and WMD if you’re out in the Seattle Metropolitan area!
Tune in next as I sit down with Roboctopus as we discuss his musical versatility, BRKFest, and a deep dark secret he’s been keeping from us all! (I’ll give you a hint: it’s one Hoodie is keeping, too!) Peace!
Welcome back, ChipWINners! It’s time for another interview facilitated by yours truly! I’m especially excited to be sharing this one with you guys because, not only is it with a very cool group of dudes (i.e: interview with three artists at once! BOOYAH), it involves people from a very small, lesser known pocket of the chiptune scene based out in Cincinnati, Ohio! And one totes worthy of the extra hype! (Hype? At ChipWIN? Who would’ve thunk it?!?). So without further ado, here’s my interview with Narayan, Jon, and Michael, the bombastic trio known as SSD Engage!
Kuma: Let’s get started, shall we? How’d you guys first meet? What brought you three together?
Narayan (SPRY): WELL [that’s a] long story that starts in, of all places, high school.
Jon and i were in a band in high school called Bluepoint. He was the drummer and I was the singer/rhythm guitar player. We had a good time
Jon (Disabletron): And Na had the foresight to bring Michael and I together to jam!
SPRY: Michael went to the same high school as me, and Jon [lived] in the neighboring town.
Michael (sp00ked): I met Narayan through mutual friends. We went to the same high school, but a few years apart.
Disabletron: And we had a classic 120 bpm jam session in the studio. The rest is history.
sp00ked: Pretty much.
SPRY: About a year ago is when we first got together as SSD Engage.
Kuma: Yeah that sounds about right. Your first release as SSD came out in july last year.
SPRY: It was kind of a surprise.
Kuma: How so?
sp00ked: Yeah it wasn’t started with the whole idea being a group at first.
SPRY: sp00ked and SPRY had both been booked and I asked Curtis (Solarbear) to put us back to back so we could do a bit of colab and throw our drummer in there.
SPRY: [To] Really shake the place.
sp00ked: Just another drum fill.
SPRY: And then we decided to keep jamming afterward, and stuck together this long somehow.
Disabletron: Five albums later.
Kuma: Well you guys have been friends for what seem like years, now, so I can’t imagine you guys not being together this long as a group.
SPRY: We released our first album, Peakout, right around BRKfest. I think we got a few more albums in us, maybe.
Disabletron: We’ll see.
Kuma: I’m sure you do. You guys seem to be pretty steady in your efforts, dropping an album every season so far.
SPRY: We said we’d set SSD aside for a while after our last album and then somehow we ended up with a new one a couple months later.
Kuma: Would you say the pull to be together was…titillating?
sp00ked: Yeah, its kinda the pace you go. We are all always making music so it makes sense to keep on making more titillating ideas.
Disabletron: We always need more tracks.
sp00ked: (shares this photo on Facebook)
Kuma: Hey! Stop doing my job! That’s what I do after the interview: put in memes and shit XD
sp00ked: Haha forgive me. Picard was calling me.
Kuma: I totally will. Now where were we?
SPRY: I’ll be making music one way or another, and I know these guys want to keep making music. We feed off each others drives and learn new things in the process. We each have our areas of expertise, in a way.
sp00ked: Yeah we do a lot experiments on own and bring it back to each other. Makes our sound evolve.
SPRY: Jon’s got dat beat. Still our drummer, more solid than ever!
Kuma: I can tell, and I’m glad you brought that up, as I took the time to go through your catalogs of music individually and as a trio prior to this interview, and I have to say, you all have some rather unique styles going on and some really cool stuff going for each of you.
Would you guys care to talk about your individual approaches to your music?
SPRY: Michael, wanna take that one first?
sp00ked: Sure. For myself, I approach writing and performing music with my emotions. Its something I learned when was young. I notice when I put my feeling into a piece it will always get my point across. I try to make the listener not necessarily feel my feelings but their own. I try to make my music an experience rather than a tune to hum along with. I was a listener. I’m generally a reserved person. Music is where i let my feelings out.
Kuma: Nice. I can totally respect that. It definitely shows in your music, especially your solo work, even going back to early work likegangbang‘s “Miss me, don’t dismiss me”. Although I gotta say, even with what you said in mind, you retain your danciness in your music, and that’s cool.
sp00ked: Haha! Yeah, thanks! I always try to make it a funky time.
Kuma: What about you, Jon? How do you approach your music?
Disabletron: I’ve always had this thing for hip hop beats since I was a student of acoustic drums. It took a few years for me to figure out how to emulate those beats. By switching over to the drum machine, I finally figured out the west coast style approach was for me
and learning how to write these beats around my supporting cast has been the true challenge.
Disabletron: You know it, Michael. ♥
SPRY: I let these guys do most of the feeling around here. LOL.
sp00ked: Oh, c’mon! You got feels, too!
Disabletron: Feeling is fun!
SPRY: As for me, I work a lot with math and rhythm in my composition to reflect the often chaotic but structured nature of my thoughts/feelings. I’ll go on binges of writing 3-4 songs in a few days and then a few weeks on other projects, mixing, mastering, artwork, networking etc. I find strange harmony in chaotic things so my music sometimes feels overwhelming, but that’s part of the expression for me. I am sometimes overwhelmed by music so I like to be able to pass that on to whoever can handle it. I tend to do everything myself when I do a project and see it through from conception to publication. I have been involved in music in many ways and I enjoy being able to piece all the parts together myself and get better at each of the steps of the process independently and together. Sometimes I write music just to see if its possible, not really because it sounds good, but that’s why I have these two around: to keep it palatable.
Kuma: That hip hop influence definitely shows in your music, Jon. Even at the start of your EP, Roadblock opens up with this subdued bass line and steady high hat reminiscent of early west coast hip hop. It’s pretty cool that you got to carry that over into your work, especially after years of trying to emulate it and figure out how to make it your own.
As per you, Narayan, I’m glad you addressed that chaos that’s in your music, as you seem to be, from what I’ve heard of all three of you, the most experimental with your sounds.
You’ve taken some big risks and by doing things with Invisible H and have made interesting concept albums like Natural Tendencies, but I feel you found your voice with Heptagrammatron.
Disabletron: Narayan is a true technician. That’s why we enjoy his company.
sp00ked: The Technician.
SPRY: Its funny you say that because Heptagrammaton was the first real chip album I did on my own. I have yet to really make my sequel to it because it was so massive. That album was basically the first year of me making chip music and since then I’ve only done a few EPs. I am sitting on about 50 unreleased solo songs, though. I just keep forgetting to produce them!
I’ve [also] got a trash album in the works with datathrash that should be about experimental as I go, as well as a few dozen other stragglers. I’ll get to them eventually, but I just keep writing new stuff instead.
sp00ked: Yeah, Narayan does go off in periods of mass songwriting.
Kuma:Damn, 50 solo songs and a datathrash project? That’s quite a bit! Do you guys have anything similar up your sleeves? Jon? Michael?
sp00ked: I have about 15-16 songs for a LP I should be releasing it next month. Its going to feature nanoloop songs 1xlsdj and 2xlsdj songs. I’m calling it called frankincense. It has songs these guys havent even heard yet. Muwahaha!
Disabletron: I’ve got a few fresh tracks for my upcoming solo Disabletron album, but 50?! No way! I’ve been focusing on getting my gear situation str8.
Kuma: Nice! How soon can we expect to hear a new Disabletron? I’m a sucker for things made with MIDI controllers and synths.
sp00ked: MIDI MIDI MIDI MIDI freedom!
Disabletron: MIDI production center!
sp00ked: MIDI bathing center!
Disabletron: Sometime this summer as far as my album goes.
sp00ked: Yeah, Im going to work on some tracks for that dawg.
Kuma: MIDI bathing center? Is that like Guitar Center for that lonely guy who clearly has no friends in that Guitar Center commercial? The one who spends his lunch breaks playing at the store every day?
SPRY: We’ll be donating a couple melody and bass lines for that one. Its a digital bathtub that you can play naked and make colors and music.
sp00ked: Dude, I know guys like that. They jam at the guitar center. [It’s] annoying.
Kuma: Jam at the guitar center every day?
SPRY: Actually, it was Sam Ash yea?
Disabletron: I jam at rogue!
Kuma: I dunno what rogue is but it sounds respectable! Sam Ash, though…well…at least its not like those guys that used to jam on the keyboards at The Wiz.
sp00ked: I just want a Game Boy center.
Kuma: That’s called a garage sale!
sp00ked: Pretty much.
SPRY: We’ve actually bought most of the thrift stores and hobby shops out of Game Boys. They are becoming more scarce around Cincy.
Kuma: Sounds like you need to haggle some from Nikola. He sells grayboys for 10 bucks a pop.
SPRY: Naaa ive got a stock pile. I’m good for a minute haha! That’s solid, though
sp00ked: I need more! I have every color besides blue.
Kuma: I only have clear and black, but I make my music using piggy tracker on my PSP primarily, so its not like I use my game boys often.
sp00ked: Piggy is awesome. I’ve been wanting to get into that more.
SPRY: I’ve been stocking Game Boys for a while, but I still use the first Game Boy I modded and I haven’t opened it in 2 and a half years.
sp00ked: That’s true. That SPRYboy is solid. It’s funny: when we started this group, I’d been making lsdj music for only 4 months at that point.
Kuma: I’d love to see it (SPRYboy) sometime. That being said, lets get back on track, guys. You’ve all mentioned future solo projects coming out, but whats next for you as a group? When is the new album coming out? And what plans do you have to promote it? Concerts? Radio shows? Anything of that nature?
sp00ked: oooooo0ooo0 new stuffff!
SPRY: We’ve got a lot planned and its pretty much all ready to release! We’re releasing a double album, “Stereo” with 9 new tracks and 6-7 old tracks remade on july 4th. We’ve got a listening party on the 3rd right before it!
Kuma: Nice! Who are you doing the radio show through? 8bitx? Arecibo? Alpha Omega? And what about concerts? Can fans expect to see you guys again at BRK this summer? Or at Piko shows out in Detroit?
SPRY: We’ve been trying to refine our sound and production techniques with this last round and really come into a new version of ourselves. We’ve learned so much along the way that it seems almost a shame to let it go underutilized. The listening party is gonna be on 8bitx with Andrew Struve hosting! We are playing BRK, we just got off the Chip Charged show in detroit and we’re looking to play ____ (~he tells me a secret that I won’t share with you here~) which i didnt tell you about. Then beyond there, we’re looking to book outside of Cincy, but havent made any solid plans yet
sp00ked: New Yorkkkk!
SPRY: We usually just get distracted by making music in the studio and forget to play shows, but we’re workin’ on getting out there, for sure!
Kuma: Did you just say New York?
Disabletron: We need more shows!
sp00ked: I’m trying to plan a show for us there.
Kuma: Kuma will be able to see you!?!?!
SPRY: i hope so!
Kuma: Have you tried talking to Ricardo or emfedex? ‘Cause even if you can’t get a show in NYC, you can probs get one in Philly.
sp00ked: I’ve been talking to Ricardo. We might play sometime in fall, I think.
SPRY: And we played 8static in January thanks to emfed!
Kuma: That’s right you did! You played 8static and I didn’t get to go cause I worked that weekend! tearsofthesun.mpg!!!
Disabletron: It was a great show!
sp00ked: It was a hell of time! Philly knows how to party!
Kuma: Don’t rub it in my face, damn it!
SPRY: It was a hell of a time. Killer sound after we blew it out on the sound check! Hahahahaha!
Kuma: But yes: Philly does know how to party.
SPRY: I blame Jon’s bass drums.
Disabletron: It set the benchmark for our new style.
sp00ked: Yeah, it did. We made Midwest Coast like right after that.
Disabletron: Hahaha wait for the MPC-2000 next 8static! We are gonna bring it!
sp00ked: Oh yeah! Four MPCs on the the floor!
Kuma: Well if Philly and blown out speakers helped set the bar, I can’t wait to hear what you’ve got next. That being said, gentlemen, I’d love to thank you for your time and flexibility! Do you guys have anything you’d like to say in closing to your fans and anyone who happens to read this? Let’s start with you, Jon.
Disabletron: I just want to thank you first, Kuma, for giving us this opportunity! I’m looking forward to catching our true fans at BRKFEST!!!! SHOUT OUT TO FUMU BATTLESHIP AND THE CURTIS B. WARE!
Kuma: Woo Fumu! He’s my bro! I’ll be sure to tag him in this article so he knows you sent him a special shout out! What about you, Michael?
sp00ked: Thanks for all the support! I’ve never been in a scene so loving and caring like this. I think as for our sound, I feel like we are just beginning. I see a lot expanding for our next albums. Thanks for this, Adam. It was nice to reflect on what we have done. See you all at BRKFest!!!
Kuma: And last but not least, you, Narayan. Give us your parting shot!
SPRY: There’s so much I could say, but I’ll just hit a couple things quickly. We didn’t really go much into us musically as a band but that might be a good thing, lol! I’ll leave it at Jon and Michael have great intuitive sense for music and I like to use their great raw material and mold it together with my own stuff with brutal logic to make a monster that feels and thinks.
Our production has been evolving along with each of our albums toward something new and amazing, but as yet undefined. We keep looking for new and amazing sounds and techniques and as long as we can keep doing it, I’ll be pushing forward. For all the people out there who might listen to our music, I hope that this has been a brief window into our insanity!
Thank you, Kuma, for being awesome and ChipWIN for also being awesome and I want to thank all the great people and communities that are part of this spiderweb of scene(s)! I keep meeting new people and broadening my horizons through them and I hope to keep on this crazy journey for a while! See you all sometime soon, I hope!
Kuma: Fantastic. Again: thank you guys, and have a good night. I look forward to seeing you guys and possibly interviewing you all again.
That’s it for this edition of Raw Cuts! Tune in next time for yet another fantastic interview! In the meantime, make sure to follow/like/etc. SSD Engage to keep up with their latest releases, both solo and as a group! PEACE!