This feels vaguely familiar of bad (or great) decisions…
We’ve arrived at that time of the year once again. St. Patrick’s Day has passed, and the world is celebrating the hangover felt around the world. While it’s no secret that the drinking scene has a chiptune problem, I figured I would share a list of songs guaranteed to make anybody hungover immediately regret being within earshot.
You may be wondering, “Wait, does this mean you think these songs aren’t good?” That’s far from the truth. I happen to like all of these songs; they all just happen to be heavy, loud, abrasive, or chaotic. If you’re looking for high-energy, chip thrash, or just a few ways to get revenge on your roommate thinking “pissing all over the couch while completely shitfaced” was HILARIOUS, I’ve got you covered after the jump.
Sup y’all? =) President Hoodie here with another edition of Hoodie Highlights! Continuing with my visualist-centric series of late, this publication features a chat with the multi-talented visual sorceress Drip aka ohhinaifu! And yes, poop is discussed (duh). Enjoy!
Hey, ChipWINners! Solarbear’s been in the chipmusic community for some time now, and by now everyone knows how much he sucks. I mean, progressive-influenced, stylistically expansive, phenomenally written chipmusic? BOOOOOOOOORING. Don’t even get me STARTED on how bad his latest release, ‘Boner Machine’, is. It’s so bad…ass. Who am I kidding? If you haven’t discovered the sheer joy that is Solarbear, now’s as good of a time to find out about him as ever. Today, we’re going to be diving dickbuttfirst into ‘Boner Machine’, track-by-track. Let’s get started!
You know, it’s not every day that the kindness of friends can take you on unforgettable journeys filled with laughter and memories to last a lifetime, but when those times come, you relish the moment and cherish all that’s given to you. This especially rings true to my latest adventure with my dear friend Bertrand Guérin-Williams (also known as their pseudonym Russellian) to BRKFest 2014, which took place from July 25-27 in Cincinnati, OH.
Starting as a casual idea thrown around our Facebook pages, Bertrand and I both expressed interest in attending this third annual chipmusic festival, an event conceived by Curtis Ware in 2012. Quickly striking the idea down as physically impossible (due to a number of monetary constraints and traveling distance), Bertrand and I took to the idea of a fundraiser as a way to raise funds to get one another to this up and coming Midwest event.With an equally silly fundraiser campaign over on Kickstarter to make potato salad being wildly successful (and still raising money), we swallowed our fears and crossed our fingers.
And it happened.
Bertrand and I received half of our funding goal within two days, and then two-thirds several days later. Within a week, we were fully funded.
Unable to comprehend the generosity of the donors, the tweeters, and the ‘likers’, our once casual and thrown-around interest became reality. Through the help of 18 people (YES! only 18!), our donations were ranging around $20, and the highest being $250 (which was donated by Ken Gould, Andrew Gould [event co-host]’s father). Through the help of some great friends, anonymous donors, and complete strangers, Bertrand and I began solidifying our travel plans and booked my flight.
Flash forward to July 24, 2014.
This was happening. I don’t think I’ve felt that much excitement for an event since MAGFest, because in 7 hours, I was going to be touching down in Lexington, KY with my good friends Curtis Ware and Alex Wimmer welcoming me at the gate. With the cost of the trip paid for through the fundraiser, and free lodging at their house (with Max Dolensky and Tri Angles also crashing there), I knew this was a weekend I would never forget.
Without any doubt, all three days of BRK had solid lineups. With the visualists bountiful, and talent strategically dispersed, each day of BRK paved the way for my chip dreams slowly becoming a reality. With performers new and old, and two days of open mics, BRKfest kicked off with Chris ‘Storm Blooper’ De Pew with accompanying visuals from ohhainaifu. With his performance packing a powerful punch, De Pew spent the entire night beforehand writing new songs and finishing up others. His set didn’t suffer, however—he opened up BRKFest with much needed energy and a sappy cover of ‘California Gurls’ by Katy Perry; his performance was surely a great way to start off an even better weekend. Other acts of notable mention that performed the first night include Radiograffiti’s Illinois Amigacore artist CCDM (who, after conversation with him, mentioned he participated in an Amiga battle with Stagediver during the Shadowtravel tour in Chicago), the rockin’ Virginia bitpop/punk duo Square Therapy, Solarbear (accompanied by crowd surfing in a red button up dress shirt), and Tri Angles, a ‘wandering artist, dreamer, and storyteller’ whose music is a soulful, galactic, and out of body experience. With the first night coming to a close, BRKFest day one concluded with an official after party about three miles out. With DJ sets by Diode Milliampere (who was on the bill for the third night) and Max Dolensky, and LSDJ sets from Defiant Systems (also playing day three) and my cohort in this fundraiser, Russellian, this was surely the icing on the cake to close out such an eventful first day.
SKGB performs live at BRKFest 2014 on Saturday, July 26.
Day two rolls around, and it’s even better than the first. Despite some technical set backs that presented themselves early in the evening, performers and the crowd pushed through. Day two was by far the most intense, gear-heavy nights, with set ups being noticeably more intricate. With a surprise back-to-back in tandem performance from Sean ‘Awesome Force’ Baker and Bryan ‘Auxcide’ Dobbins (who used a DMX ‘X Gon’ Give It To Ya’ vocal sample and covered ‘Where My Niggas At?’ by Cassidy during their sets respectively), a live read of a meditation guide for spiritual travels to the anti-material planets during SKGB’s performance, slamming Game Boy Advance jams from Detroit’s boaconstructor, and a Trey Frey reactive light installation, day two was by far my favorite night. Muscles sore and body dehydrated, Curtis, Alex and I headed back to Lexington to prep for the third evening.
With the weekend coming to a close, the dawn of day three began. My cohort Bertrand (who again was staying closer to Cincinnati) enjoyed all that the city had to offer Sunday morning—with a group of chip musicians and friends (including ChipWIN’s own Hoodie and Chip Mom, Awesome Force and Auxcide), the group of them went to the Cincinnati Museum Center where they explored a fake cave system (and reenacted the Matrix Reloaded’s Zion dance scene), learned about evolution, extinction, and optical and microwave telescopes and the stars and galaxies of which astronomers have found. While I did not partake in this adventure, I’m going to make a wild guess that those folks had a wonderful time based on the information passed down to me. As for me, I make it to the venue, and the sadness started to set in. I could already feel it—I’ve come down with the BRKFest depression bug WELL BEFORE BRK was even over. It is always the hardest feeling having to cope with spending an incredible weekend making memories with friends, and then having to jump on a plane to go back to real life the day after. However, mopiness aside, I made every minute count. Hugs exchanged, laughs reciprocated, and outside patio relax sessions imminent, I spent most of the evening taking it all in (where as I raged the first two days).
Defiant Systems performs live at BRKFest 2014 on July 27. Visuals by Formidable Witch
Popping inside for Shitbird’s chipthrash set, Defiant System‘s lo-fi, dark FM jive (with INCREDIBLE visuals by Formidable Witch using NES hardware), and glomag, who emerged in the community at the dawn of the 21st century, day three concluded on an incredibly high note, an ending that any music festival could ask for.
All in all, this festival was surely unforgettable, and it was quite an adventure to experience this as an event attendee rather than behind the scenes (like I did for Frequency 3.0 with my cohorts in 8bitLA). Artists, albeit visualists or performers, put their heart and soul into their work, making for an incredibly exciting weekend getaway. The vibe was great—the friends magnificent. Thanks for a stellar time, all, and thank you from the bottom of Bertrand and I’s heart, for donating/sharing the fundraiser around.
Sup y’all? President Hoodie here with another badass announcement. I swear, those are becoming my thing lately, amirite? IAMRITE. #SwagSwagSwag 8-)
Stupid preamble aside, to see that the debut of Orlando Nerd Fest gets its proper dose of chiptune awesomeness, Play It Loud & Chiptunes = WIN are joining ridiculous forces to bring 9 KICKASS CHIPACTS to perform at not one, not two, but THREE late night shows of badassery for your pajama wearing asses to party and/or dance at.
LOOKIT DAT ZOMBOFURKIN SEKSAY POSTER BELOW:
Swankass event poster by Justin Franco of Play It Loud.
To top things off, we’ll also be helping man a separate side room full of retro games to play on classic TVs (provided via the Orlando Science Center, because SCIENCE!),
chipmerch to purchase, and some other chipjams to jive to! WACHOW!!
Add all of this chip goodness to the already absolutely MONSTROUS collection of other spectacular artists performing at this crazy party and you’ve got yourself a bonafide GOOD GORRAM TIME!
So, what are you waiting for, Orlando? Grab yo ONF tickets & #ComeGetYourChipOn!!!
President Hoodie Founder & Project Manager of Chiptunes = WIN
P.S. Don’t forget to check out ONF’s Kickstarter HEREto help boost the fest even further!
Boy Without Batteries: Boy Without Batteries is the musical alias of Cole Jaques, a chiptune musician from Lakeland, Florida, who uses two Nintendo Gameboys to create melodic and energetic dance tracks reminiscent of retro videogames and old school computers. Bandcamp | Soundcloud
Storm Blooper: Hailing from Philadelphia, Storm Blooper uses original Nintendo Gameboys running LSDJ to make music you can twerk to. Bandcamp | Facebook | Twitter | Soundcloud
Solarbear: Solarbear is a progressive rock composer from Lexington, KY who creates his works from Nintendo Gameboys. With a strong grounding in both metal and electronic dance, his music combines with an aggressive live performance to get both your feet and your fists moving. Solarbearsucks.com | Bandcamp | Facebook | Twitter | Soundcloud
Auxcide: Auxcide (PHL) is a chiptune artist who uses multiple gameboys along with other hardware to create vast soundscapes with driving passages through starfields. Bandcamp | Facebook | Twitter | Soundcloud | Tumblr
Masikus: Masikus began his musical career as a drummer. He now combines his love for chiptune, hip-hop, ambient music, downtempo and video games into darker, original compositions and video game music remixes. Bandcamp | Facebook | Twitter | Soundcloud | Tumblr
Ap0c: Ap0c is a project by Philadelphia-based musician Steve Lakawicz. He uses vintage game system audio combined with tuba to explore social encounters, interpret haunting memories, and expose visceral emotions. Bandcamp | Facebook | Twitter | Soundcloud
Zantilla: Zantilla is the progressive chip-metal outlet of self-taught composer, producer, and keyboardist Adrian Shegstad. Combining elements of chiptune, modern prog metal, and electronica, Zantilla manages to ground itself into multiple scenes. Adrian first made a name for himself as remix artist “Sleeper Express” and brings his production techniques and synth heavy style to Zantilla’s energetic aesthetic. His debut album, “Encounters” displays this energy at it’s highest as it takes listeners through a sci-fi inspired adventure. Currently, he is writing collaborating with titans of the chiptune, and djent metal scene, as well as porducing his next release, “Color-Motion”. Bandcamp | Facebook | Twitter | Soundcloud