Posts Tagged ‘sound’

Chip Bit Sid’s Chiptune Sans Special: Utsuro Spark – Static Electricity

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It’s last review of the year for me and I thought I’d continue the trend by reviewing absolutely no chiptune. Last year was no contest for me and I reviewed one of my favourite ‘Futurefunk’ albums of the year, ‘Watashi No Yume Diary’ by ‘Bigwave Mikazuki’. It was a wonderful release that I continue to listen to this day. This year however has been harder to choose. Originally I was going to review ‘Moe Moe’ by ‘Moeshop’, an awesome release with a variety of singers. Featuring a worldwide collection of artists from Manchester’s own ‘MYLK’ to Kyoto’s ‘Toriena’, ‘Moe Moe’ was full to brim with character.

However, as the year started to draw to a close, I came across another album; ‘Static Electricity’ by ‘Utsuro Spark’ (released by New Japanese Net Label, ‘Local Visions’). Whilst ‘Moe Moe’ was bubbly and colourful, ‘Static Electricity’ managed to instantly hook me, both through its mystical music and passionate vocals. Ultimately it was the heart of ‘Static Electricity’ that won me over, even when I compared both albums vigorously against one another.

Album artwork by Futureflavor.

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Chip Bit Sid Takes On: Boaconstructor – ‘Winds Of Null’

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This year has been an excellent year for chipmusic using nanoloop. We’ve had a huge amount of releases ranging from the astounding ‘Geothermal’ by Classic Mistake, to the chilled as hell ‘Vanilla Dome’ by Glooms. This time we have Boaconstructor’s ‘Winds Of Null’. For context into ‘Boaconstructor’, he is a Seattle based musician who also runs ‘The Base bit’, one of the go-to net labels of chiptune. ‘The Base Bit’ have released a variety of accomplished albums such as ‘Refresh’ from Trey Frey, to ‘Steel City Zone’ by ‘HarleyLikesMusic’. It has been three years since ‘Boaconstructor’ has produced an album, with ‘Loop Dreams’ being released in 2015.

Whilst ‘Loop Dreams’ and ‘Winds Of Null’ were produced using Nanoloop, they are vastly different albums. ‘Loop Dreams’ focuses on using modulation to create weird and wonderful noises on a high BPM. ‘Winds Of Null’ on the other hand, focuses more on the bass, as well as detuning the melody and slowing down the music. For me I prefer Boaconstructor’s latest album, as I found it more accessible to listen to. The recording and mastering are also, in my opinion, much higher quality. Everything seems to pop better, with the levels balanced much better than ‘Loop Dreams’.

Album artwork by Dr!p.

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The Unicorn Princess Royally Reviews ‘2011’ by WMD

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Happy October, folks!

Just as the month comes to an end, I bring to you a cool little surprise.  Released on September 29, WMD is combining their ability to create atmospheric sound textures and presenting a record paired with straight up chiptune.  It’s been quite a while since something like this has been released, and judging by the comments on their Bandcamp, I’m not the only one excited about it.

Album cover for WMD’s ‘2011’. Credit: Bandcamp

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Chip Bit Sid Takes On: Paladin Shield – ‘Many Blessings’

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It is funny how plans can be altered within a second. Originally, I was going to review something else. However, just as I was about to put fingers to keyboard, I got an email: ‘Paladin Shield’ had just released a new album; ‘Many Blessings’! ‘Hot damn’, I said as I spent more money on yet another album. Below are three tracks that I loved off ‘Many Blessings’ and why I think it’s top notch.

Photo by jmswts.

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The Unicorn Princess Royally Reviews ‘The Ground’ by Psilodump

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Happy September & Autumn!

Just released three weeks ago, Psilodump presents to us their newest record, ‘The Ground’. On the whole, this is a wonderful collaboration of artists working together to create a myriad of beautiful tracks. Each composition is distinct in its character, yet they mesh together so well that they flow super fluidly as the album spins through.

Cover artwork by Not Flipper and Anton Bohlin.

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Chip Bit Sid Takes On: Classic Mistake – ‘Geothermal’

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For this month I’ve been really busy with a variety of different chiptune projects, and so I’m doing a reblog of an Article I wrote back in early 2018.  ‘Classic Mistake’ is a an artist I’ve only recently come across, beginning with a cover of 0F Digital’s, ‘Mesh’ and featured in ‘The Great Australian Barbecue Bash’ compilation. What I liked about ‘Classic Mistake’ is that he almost exclusively uses ‘Nanoloop 2.0’, creating some fantastic hooks which are reminiscent to early techno. ‘Geothermal’ is Classic Mistake’s first album released under ‘Cheapbeats’. Below I have selected three tracks that stood out for me of ‘Geothermal’.

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