It’s Brandon here once again with the customary introduction for our latest compilation review crew! In order of appearance, Aydan, Adam, & clover share thoughtful musings on the 31 stellar compositions that make up ‘Spacetunes = WIN‘.
First, enjoy the equally amazing SpaceWIN art slideshow below, and then drift deeply on into the cosmic compilation read/listen!
It is well known within the Chipth Dimension™ that many of us among our musical collective are particularly enthralled by the mysteries of the cosmos; mention astronomy and/or cosmology around a bunch of chip nerds and you’ll see what I mean with a quickness.
Yet somehow, there inexplicably remains an unexplored dark void in the space themed chiptune compilations quadrant.
My friend was on TV recently. He was shopping at a bookstore, and the local news was doing a segment on reading, interviewing customers there. When asked to “talk about your favorite book”, he panicked, grabbing the first book that came to his mind: ‘The Crying of Lot 49’, a mere 160 page novella. Now, the interview went fine; he talked about its good writing and such. Upon relaying this story to me, however, my friend expressed regret. He told me it really is one of his favorites, and it’s surprising to find so much value in a pretty short book, and he wishes he could have pointed that out. He’d say something like, “It’s a really small book that says a lot of big ideas.”
meganeko’s ‘Nascens’ is one of my favorite music releases. It’s full of originality. It surprises me. Yes it’s short, but it’s a small EP that shows a lot of big ideas.
‘Adventures in Bitscape’ by Batou fills the vacuum of space with a passionate, thought-provoking soundscape that you absolutely need to stabilize into your own orbit.
Chill, delightful, and contemplative, ‘Adventures in Bitscape’ is a focused concept album featuring 6 cohesive tracks delivering a musical jaunt through the far reaches of space and beyond. Batou focuses on a sparse, precise collection of sounds to augment an ever-present effective use of silence and the space between notes in an evolving experience that absolutely delivers on its promise to send you off on a contemplative journey through the empty reaches of space and beyond with grace and chip-style.
Floating through nebulae and flying through space are typically associated with a sense of excitement and discovery, perhaps a sense of wonderment concerning what kind of life may lie beyond our own limited scope. ‘The Signal’, an album written by demoscene and horror movie score-writing veteran Wojciech Golczewski of Poland, provides a stark contrast to the optimistic ventures of aspiring astronauts. It paints a picture that evokes enigmatic and frightful visions of the cold and desolate void that is our universe, interspersed with brief, touching moments of optimism. Before we head off on our excursion, do note that this is an atmospheric, ambient album; this is best listened to in one sitting, preferably in the dark, in order to better experience this artist’s vision. Now, come. The signal beckons us.
Last March I wrote that “…we should be so lucky to get a follow-up album in the future” from Marissa Hapeman after reviewing her chiptune debut ‘Pretty in Pixels’. Forget luck. Marissa Hapeman returns with explosive fervour with her second major chip-release ‘Solstice’.
Tease your musical palette with ‘Waiting For Good News’–
–then dive into the full ‘Solstice’ review continued below!