Posts Tagged ‘synthesizers’

ChipWIN-tern Spotlight: ‘Mother Earth’s Plantasia’ by Mort Garson

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If you’re over the age of 35 and you saw who I’m writing this article on, you probably just went “Wait, what? Why?” If you’re under 35 and don’t listen to The Adventure Zone and you saw who I’m writing about, you probably just went “Wait, who?” In a rare departure from talking about upcoming chiptune releases, I thought I might take a moment and talk about one of the early Moog synthesizer pioneers whose music has largely been out of print for the last ~40 years in hopes that a look at this particular time capsule might have some worthwhile stories to tell us in this modern era. Today’s article is on the rerelease of Mort Garson’s ‘Plantasia,’ courtesy of Sacred Bones Records.

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The Unicorn Princess Royally Interviews peaksound, Composer For Reassembly Fields Expansion

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Happy January, folks!

After a few years of writing record reviews for ChipWIN, I’ve decided to take a prolonged break from writing articles here to focus on wrapping up records of my own, my career, life, and travel. Life has been super good but extremely busy, and while I may return on occasion, this article will be the last for a while, so I wanted to make it a good one.

This month, I wanted to push some attention towards game audio created by a friend of mine, Peter Brown, also known as peaksound. On the 22nd, Anisoptera Games released the Fields Expansion version of Reassembly on Steam, and with that, peaksound released some incredibly beautiful music on his Bandcamp. I had the pleasure of checking out the record prior to the release, and seeing it days later with gameplay did not disappoint.

peaksound’s album cover for ‘Fields Expansion’.
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The Unicorn Princess Royally Reviews ‘October (2018)’ by Spaceman Fantastiques

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[Editor’s note: this album was moved elsewhere on Bandcamp well after the article published, so none of the embeds work. ƪ(‾ε‾“)ʃ ]

Happy November, folks!

This month, Spaceman Fantastiques is back with yet another gorgeously articulated record, scoring his life from the previous month, entitled ‘October (2018)’.  Combining a mixture of well mixed sound textures with smartly composed arrangements, this record took me on an adventure that was left waiting to be continued from his last release.

One thing I deeply admire about Spaceman Fantastiques, and a couple reasons I review his work so much, is because I not only love it, but there is also a never ending stream of real creativity that spews out of every variety of instruments used for each album.  A multi-instrumentalist, Spaceman Fantastiques uses each acoustic texture or synthesizer to new brinks of limitations, combining that art with both storytelling and beautiful, listenable music.  This record, and his previous, have been so easy for me to write about because they’ve been so relatable.

Spaceman Fantastiques, courtesy of Bandcamp.
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The Unicorn Princess Royally Reviews ‘The Ground’ by Psilodump

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Happy September & Autumn!

Just released three weeks ago, Psilodump presents to us their newest record, ‘The Ground’. On the whole, this is a wonderful collaboration of artists working together to create a myriad of beautiful tracks. Each composition is distinct in its character, yet they mesh together so well that they flow super fluidly as the album spins through.

Cover artwork by Not Flipper and Anton Bohlin.

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The Unicorn Princess Royally Reviews ‘workplace ergonomics’ by nmlstyl

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Happy June, folks!

This month on the blog, I display to you all a modest delayed reaction on a spring release that I enjoyed recently. ‘workplace ergonomics’ was released on April 23rd, 2018 by Philly based musician, visual artist, and coder, nmlstyl.  While I was shocked that it hadn’t already been reviewed here, there were absolutely no surprises on my end as to how gorgeous this record turned out to be.

Artwork for ‘workplace ergonomics’, courtesy of Bandcamp.

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The Unicorn Princess Royally Reviews ‘The Mountain Is Hollow’ and Interviews little-scale

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Happy April, everyone!

This month on the Blog, I wanted to review a beautiful album written by Australia-based artist and technologist, little-scale. Created by using modular synthesizers, this album works with a niche form of sound design well known to those into various forms of synthesis. I had the opportunity to talk to little-scale this month and it was my mission to get their take on why moving from Gameboys to modular is so appealing, while sharing the specific modules used during the performance of this album.

The world of modular is super in depth, hectic, and beautifully chaotic. Pictured here is a Buchla 200e I grew to get to know and love a few years ago.

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