When it came out, Tenfour’s “Wish Book” marked something wonderfully new for Cheapbeats. A popular label for chiptune and lo-fi music, this is the first time in my memory they’ve released something so distinctly modern and inspired more by videogame music than the chip scene. Soundtracks, and VGM in general, were my entryway to taking an interest in composition, which led me to the Chiptunes=WIN community, so I’m going to take this opportunity to try something new myself and write out my thoughts about it. Because this isn’t just a phenomenal album, it’s also *right* up my alley. Let’s dissect why it works so well.
Sup, ChipWINners, and welcome back to Quick Shots! This month, I have two very cheerful, funky albums from two very different parts of the globe to help kick off your summer right. One is from an artist who’s ready to go out with a bang, the other is from someone whose career is like a juggernaut: it just can’t be stopped! With that in mind, I cordially invite you to sit back, relax, and join me as I review music by veterans Super Robotic Encounters and Svetlana.
Heyo, ChipWINners! Welcome back to Quick Shots! This month, I’ll be reviewing work from three artists across the creative spectrum who have each brought something rather unique to the table. The first is a debut EP from a chiptuner with EDM leanings. The second is an artist I’ve featured in my interview column who has recently put out two new singles. The third is an offering that skews more towards Nerdcore than chiptune, but was too unique to pass up on sharing with all of you. So lets not waste any more time. Sit back, relax, and enjoy the works of Gigibyte, Thorazine Unicorn, and 8-Bit Mullet.
Welcome back to Quick Shots: the monthly album review column in which I seek out some of the newest music the scene has to offer and do my best to help you determine if something is worth your time. This month, I have three albums from some lesser known artists who offer unique listening experiences from one another. One wants to see you get down on that dance floor and strut your stuff. The second wants to share a moment in time in with you as they reflect on their life in relative solitude. The last wants you to indulge in some work they’ve contributed to an upcoming game that is just as easy to groove to as it is to zone out to it. With such a wide offering of experiences on the table this month, I think we should jump right in. Join me as I dissect sophomore releases from Libla and SemiProcastinator, and take a closer look at Mint℠’s third LP.
Hey ChipWINners, and welcome back to Quick Shots: the monthly album review column that helps you determine if some of the latest offerings from the scene are worth diving into. This month, I’ve decided that instead of presenting you with work from a splattering of artists across the spectrum, I’m going to focus on just one artist: Nanode.
Nanode is a young, jovial composer who has made quite a splash since joining the scene. From his pulse pounding, stylish music to his reputation as a purveyor of memes; his contributions to The ChipWIN Blog to his role as a panel host at MAGFest, Sam Sher is representative of the longevity and potential chiptune has a scene and as a medium. Combine these with his entrepreneurial spirit in founding Circuitpulse Records and his hunger for improvement and recognition, and it becomes clear that Nanode is a presence that can’t be ignored because he’s done more than many of his contemporaries have at a much younger age than them. Recently, Nanode stated that he would be moving away from chiptune towards more traditional music composition, but that before doing so, he would release a few more pure chip albums as a sort of farewell to the scene that helped raise him to new heights.
Do these two albums do the young composer justice? Will they leave a mark on the scene worth remembering? Let’s not delay any further. Join me as I dive deep into ‘Voyager’ and ‘Paradise’ to discover if there is truly treasure waiting for us within these new waters.
Hey there, ChipWINners! Welcome back to Quick Shots: the album review column in which I pick the latest and greatest the scene has to offer, and dissect it to help you determine if it’s worth your attention. This time around, I have two EPs for you from two names that should be very familiar to you. The first is from an artist I’ve featured previously on the blog who has upped their game considerably, and has fully embraced the simplicity of the Game Boy as a synthesizer. The other is a certifiable legend who has composed music for titles that helped define childhood for a generation the world over. Let’s not delay any longer. Sit back, relax, and enjoy as I take the time to review the latest from SuperStranger and Ryuichi Nitta.