Posts Tagged ‘Trey Frey’

Sam Shares: ‘Mobile Swarming’ by Chrome Cobra

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INCOMING TRANSMISSION


HOWDY Y’ALL!

Boy oh boy, it’s only February, and 2017 has already been an amazing year for music! For this share, I have a very special release that comes from Planet Zaxxon! Back at this most recent 8Static Fest, Chrome Cobra made his live debut showing off some really impressive LSDj jams, and now he’s released his very own EP on Bandcamp. Let’s take a listen to see how it fairs!


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Kuma, V. Forge, Chris K’s Resplendent ‘Forest = ВИН’ Review

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Hey, what’s up ChipWINners? It’s your boy BronxKuma, welcoming you back to the blog.  This time around, we’re going to be doing something very special, as today I’ll be joining forces with Viridian Forge & Chris Krogsgard to cover the latest release from the label: ‘Forest = ВИН‘!

‘Forest = ВИН’ is a truly noteworthy release because it represents continued success for our collective.  Taking the opportunity to work with Kubbi and Agri, the founders of the Russian based Forest net label and long time supporters and partners of ChipWIN, we’ve put together a collection of aria that is truly wonderful.  This is something we’re all very proud of, as this stellar accomplishment is the 18th album ChipWIN has released in five years! Consisting of thirteen phenomenal tracks from all over the globe, ‘Forest = ВИН’ is a labor of love that is so absolutely resplendent that we just can’t wait to share with you.  So let’s not waste anymore time: sit back, relax, and plug in those headphones: it’s time to go wandering into the Forest.

Album artwork by Anatoly Sazonov, vk.com/anatolysaz

Splendid album artwork by Anatoly Sazonov, vk.com/anatolysaz

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WSIU?: Little Sound Dj (LSDj)

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INCOMING TRANSMISSION


Hey ChipWINners!

As a chiptune musician, I sometimes like to dabble in different programs and try new things. That said, I’ve noticed over the past months that there are people out there who don’t know what software or system is best for them to start making chiptunes.

Now a simple answer to this would be, “Whatever soundchip you like best, man.”

…but of course there’s more that goes into these kinds of decisions, and I’d like to be the one that helps out fellow chip-musicians in finding their preferred method of writing chiptunes. This is why I’m creating this blog series; ‘What Should I Use?’ or ‘WSIU?’ for short.

To kick it off, we’re going to be taking a look at Johan Kotlinski’s juggernaut tracker, Little Sound Dj, more commonly known as LSDj.


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Hoodie Highlights… Pixelseed!

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Sup y’all? =) President Hoodie back with another Hoodie Highlights interview column! Today, I’m beginning a special series that I’ve been excited to get rolling along since MAG 13 wrapped up. Over the next few editions, I’ll be talking to a few key members of what has become the invaluable “support class” of live chipmusic shows: the visualists. Of course, I’m starting it off by talking to none other than the man himself, PixelseedEnjoy!

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Pixelseed at MAGFest 13.

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Aydan Appreciates & Interviews: ‘Blood Eagle’ & Sabrepulse

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Sabrepulse is, arguably, one of the greatest pioneers of chipmusic. Two of his earliest albums, 2005’s ‘Famicom Connection‘ and 2006’s ‘Chipbreak Wars‘, can be considered as two of the foundational pillars for the chipbreak subgenre. Over the years, Sabrepulse’s style shifted slowly to a more drum ‘n bass influenced vibe, and with the release of ‘First Crush‘ in 2011, a much more modern influence could be heard in his music. Now, with ‘Blood Eagle’, his first of two releases in a three-and-a-quarter year hiatus, Sabrepulse shows us yet again just how well he can adapt to the modern music scene while showcasing his roots as a chipmusician. (more…)

Professor Oakes and Russellian Present: BRKFest 2014 @ the Chameleon!

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You know, it’s not every day that the kindness of friends can take you on unforgettable journeys filled with laughter and memories to last a lifetime, but when those times come, you relish the moment and cherish all that’s given to you. This especially rings true to my latest adventure with my dear friend Bertrand Guérin-Williams (also known as their pseudonym Russellian) to BRKFest 2014, which took place from July 25-27 in Cincinnati, OH.

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Starting as a casual idea thrown around our Facebook pages, Bertrand and I both expressed interest in attending this third annual chipmusic festival, an event conceived by Curtis Ware in 2012. Quickly striking the idea down as physically impossible (due to a number of monetary constraints and traveling distance), Bertrand and I took to the idea of a fundraiser as a way to raise funds to get one another to this up and coming Midwest event.With an equally silly fundraiser campaign over on Kickstarter to make potato salad being wildly successful (and still raising money), we swallowed our fears and crossed our fingers.

And it happened.

Bertrand and I received half of our funding goal within two days, and then two-thirds several days later. Within a week, we were fully funded.

Unable to comprehend the generosity of the donors, the tweeters, and the ‘likers’, our once casual and thrown-around interest became reality. Through the help of 18 people (YES! only 18!), our donations were ranging around $20, and the highest being $250 (which was donated by Ken Gould, Andrew Gould [event co-host]’s father). Through the help of some great friends, anonymous donors, and complete strangers, Bertrand and I began solidifying our travel plans and booked my flight.

Flash forward to July 24, 2014.

This was happening. I don’t think I’ve felt that much excitement for an event since MAGFest, because in 7 hours, I was going to be touching down in Lexington, KY with my good friends Curtis Ware and Alex Wimmer welcoming me at the gate. With the cost of the trip paid for through the fundraiser, and free lodging at their house (with Max Dolensky and Tri Angles also crashing there), I knew this was a weekend I would never forget.

10382105_10152137865076707_4939129998527900795_oWithout any doubt, all three days of BRK had solid lineups. With the visualists bountiful, and talent strategically dispersed, each day of BRK paved the way for my chip dreams slowly becoming a reality. With performers new and old, and two days of open mics, BRKfest kicked off with Chris ‘Storm Blooper’ De Pew with accompanying visuals from ohhainaifu. With his performance packing a powerful punch, De Pew spent the entire night beforehand writing new songs and finishing up others. His set didn’t suffer, however—he opened up BRKFest with much needed energy and a sappy cover of ‘California Gurls’ by Katy Perry; his performance was surely a great way to start off an even better weekend. Other acts of notable mention that performed the first night include Radiograffiti’s Illinois Amigacore artist CCDM (who, after conversation with him, mentioned he participated in an Amiga battle with Stagediver during the Shadowtravel tour in Chicago), the rockin’ Virginia bitpop/punk duo Square Therapy, Solarbear (accompanied by crowd surfing in a red button up dress shirt), and Tri Angles, a ‘wandering artist, dreamer, and storyteller’ whose music is a soulful, galactic, and out of body experience. With the first night coming to a close, BRKFest day one concluded with an official after party about three miles out. With DJ sets by Diode Milliampere (who was on the bill for the third night) and Max Dolensky, and LSDJ sets from Defiant Systems (also playing day three) and my cohort in this fundraiser, Russellian, this was surely the icing on the cake to close out such an eventful first day.

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SKGB performs live at BRKFest 2014 on Saturday, July 26.

Day two rolls around, and it’s even better than the first. Despite some technical set backs that presented themselves early in the evening, performers and the crowd pushed through. Day two was by far the most intense, gear-heavy nights, with set ups being noticeably more intricate. With a surprise back-to-back in tandem performance from Sean ‘Awesome Force’ Baker and Bryan ‘Auxcide’ Dobbins (who used a DMX ‘X Gon’ Give It To Ya’ vocal sample and covered ‘Where My Niggas At?’ by Cassidy during their sets respectively), a live read of a meditation guide for spiritual travels to the anti-material planets during SKGB’s performance, slamming Game Boy Advance jams from Detroit’s boaconstructor, and a Trey Frey reactive light installation, day two was by far my favorite night. Muscles sore and body dehydrated, Curtis, Alex and I headed back to Lexington to prep for the third evening.

With the weekend coming to a close, the dawn of day three began. My cohort Bertrand (who again was staying closer to Cincinnati) enjoyed all that the city had to offer Sunday morning—with a group of chip musicians and friends (including ChipWIN’s own Hoodie and Chip Mom, Awesome Force and Auxcide), the group of them went to the Cincinnati Museum Center where they explored a fake cave system (and reenacted the Matrix Reloaded’s Zion dance scene), learned about evolution, extinction, and optical and microwave telescopes and the stars and galaxies of which astronomers have found. While I did not partake in this adventure, I’m going to make a wild guess that those folks had a wonderful time based on the information passed down to me. As for me, I make it to the venue, and the sadness started to set in. I could already feel it—I’ve come down with the BRKFest depression bug WELL BEFORE BRK was even over. It is always the hardest feeling having to cope with spending an incredible weekend making memories with friends, and then having to jump on a plane to go back to real life the day after. However, mopiness aside, I made every minute count. Hugs exchanged, laughs reciprocated, and outside patio relax sessions imminent, I spent most of the evening taking it all in (where as I raged the first two days).

Defiant Systems

Defiant Systems performs live at BRKFest 2014 on July 27. Visuals by Formidable Witch

Popping inside for Shitbird’s chipthrash set, Defiant System‘s lo-fi, dark FM jive (with INCREDIBLE visuals by Formidable Witch using NES hardware), and glomag, who emerged in the community at the dawn of the 21st century, day three concluded on an incredibly high note, an ending that any music festival could ask for.

All in all, this festival was surely unforgettable, and it was quite an adventure to experience this as an event attendee rather than behind the scenes (like I did for Frequency 3.0 with my cohorts in 8bitLA). Artists, albeit visualists or performers, put their heart and soul into their work, making for an incredibly exciting weekend getaway. The vibe was great—the friends magnificent. Thanks for a stellar time, all, and thank you from the bottom of Bertrand and I’s heart, for donating/sharing the fundraiser around.

Oakes and Guérin-Williams OUT.

BRKFest
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