Posts Tagged ‘VGM’

Aydan Appreciates: ‘Snö’ by Ujico*/Snail’s House

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We all love our chipmusic here on the blog. Many of us are familiar with the various kinds of hardware, software, and their unique sounds, be they the NES, the Genesis, the Game Boy, or some other kind of emulator with the express purpose of creating the tones we all know and love. But did you know that the future bass subgenre of electronic dance music is actually in a similar vein to chipmusic by extension? Future bass music is often loosely tied to VGM and chipmusic, and is defined predominantly by its use of synthesizers that are commonplace in all three of these scenes. Today, we’ll be looking at the latest Snail’s House release, ‘Snö’; something that’s particularly notable about this release is the difference in tone between this EP and the majority of Snail’s House’s previous works. Most of this artist’s pieces are high-energy, utilizing a multitude of voices and aggressive percussion to create wild, jazzy tunes, ‘Snö’, on the other hand, is more subdued and calm in nature, sounding something like a soundtrack from a futuristic RPG, but with emotional overtones. Without further ado, let’s see what ‘Snö’ has in store for us.

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Chip Bit Sid Takes On: Graz – ‘Monolith’

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Hey guys. I’ve been extremely busy these past few months, mainly down to getting the funding secure for Chip Bit Day 18 (which you can read about it later on after the review). Thankfully I’m still finding time to do my reviews for ChipWIN! This month I’m reviewing an album that I’ve been sitting on for a while now; ‘Monolith’ by Graz and released with ‘Ravertooth Tiger’.

The last time I review a Graz album was back in 2016 with ‘Ravepunk’ and that released by ‘Cheapbeats’. It was a great listen whilst feeling incredibly boppy & funky. ‘Monolith’ however is a lot different compared to ‘Ravepunk’, sounding more heavy whilst feeling darker & grittier.

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‘Chips = FLIPPED’ Full Review

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Heya folks! ( ´ ▽ ` )ノ Brandon here to introduce our full review of the latest ChipWIN compilation, ‘Chips = FLIPPED‘!

In case you’ve been living under a rock with no wifi the last few weeks, what we’ve got for you here today in this ‘Chips = FLIPPED’ review is a full track-by-track breakdown of an amazing new cover compilation; it features a litany of extraordinarily talented artists from in and around the VGM & chip communities covering previously released tracks from the increasingly vast ChipWIN discography. Sound crazy? Wait until you actually get it in your earholes. ಠ‿↼

On that note, take it away, Viridian Forge!


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Clover Chain Reacts To: Tenfour – ‘Wish Book’

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When it came out, Tenfour’s “Wish Book” marked something wonderfully new for Cheapbeats. A popular label for chiptune and lo-fi music, this is the first time in my memory they’ve released something so distinctly modern and inspired more by videogame music than the chip scene. Soundtracks, and VGM in general, were my entryway to taking an interest in composition, which led me to the Chiptunes=WIN community, so I’m going to take this opportunity to try something new myself and write out my thoughts about it. Because this isn’t just a phenomenal album, it’s also *right* up my alley. Let’s dissect why it works so well.

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Chip Bit Sid Takes On: A Look Into Chip Bit Day 2018 & Its Artists!

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Instead of doing your standard review, I thought I’d do something a little different. At the moment I’ve been extremely busy raising the funds for Chip Bit Day 2018. Yes, Manchester’s latest chiptune event is back for it’s 3rd year, and I’m looking to build upon the foundations laid by the last two to create an even better night – or should I say nights?!?

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Paul’s Pantry: Chip Tanaka – ‘Django’

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[Editor’s note: I nearly un-retired from review writing to cover this magnificent new release composed by one of my original childhood inspirations; Tanaka-san’s Metroid OST is largely responsible for initially engaging my interests in both VGM and chip, if not music in general! I’m glad I didn’t, however, as Paul has done a marvelous job conveying his own enthusiasm and appreciation for ‘Django’ as a chipmusic composer himself. Regardless, please enjoy this lovely take from a member of the new chiptune generation on one of the forefathers of chipmusic’s latest works! ~Brandon L. H.]

If you’ve read any of my previous reviews, you know how laudative and enthusiastic I can get. But today is a bit different. Here I am, listening to this album again, reading up on Tanaka-san’s bio to research the article, recalling the mind-bending experience that was seeing him live at Square Sounds Tokyo last September. Here I am, writing about the article, instead of the album or the artist, trying to sound meta and smart, keeping my composure, because I don’t want you to know that words are failing me.

I don’t want this article to be a string of enthusiastic platitudes and generic descriptions of the music. I love this album and I want my review to do it justice, beyond the fact that I’m still starstruck and not in any fit state to be objective.

And even if this album refuses to fit nicely in a traditional 2k-word album review, which it probably will, I’m still gonna give it my best shot. Here we are. Let me tell you about Chip Tanaka, and his album, ‘Django’.

This beautiful cover art shows the many qualities of Chip Tanaka’s music: Eclectic, goofy, organic, multi-facetted and good for your health.

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