Posts Tagged ‘video game music’

Meaning in Chaos: Cityfires – ‘CCL Dive’

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Cityfires’ latest release is fire. That pun is too easy not to make, but I really mean it. With buoyant emotional synthpop, some of the most magnetic sound design I’ve heard all year, and fascinating lyrics – this album’s spirit is most deserving of the title “adventure” out of all that I’ve written about. It’s full of surprises and seriously fine-tuned, with tracks like ‘The Tangle’ trimmed down to interesting ideas, while others such as the titular song take the time they need for a core feeling to hit home.

Full to the brim with electric melody lines, immersive sound design, and creative mixing decisions, this fifteen-track masterpiece never sacrifices quality for quantity. Tight vocal tracks are infused with textured electronica, and organic instrumentation as well. Instrumentals are just as diverse: ‘Daybreak Apparatus’ echoes the peppy videogame joy of earlier ChipWIN comps, while ‘Dreamshifting’ feels like some more recent chiptune which draws from mathrock. Alternatively, ‘Mothfold’ defies description. The whole album is kinetic, and really integrated, a trip through clear landscapes and sights to behold.

It is also a story of hope in moving forward.

Art by Alex Spivey
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Aydan Appreciates: ‘The Best of DDRKirby(ISQ) – Volume 2’

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DDRKirby(ISQ) has composed an absolutely obscene amount of quality tunes over the past decade and a half, and is a long-standing member of both the OCRemix and chipmusic communities. Predominantly composing music for a series of themed game competitions called the ‘Ludum Dare’ series, DDRKirby(ISQ) and friends have created dozens of these small, entertaining, browser-based games. With this competition being held once every six months, a colossal amount of material has been composed; DDRKirby(ISQ) has graciously compiled what they consider to be their best hits over the past few years. From video game remixes to original compositions, the album is simply packed full of memorable music!

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Clover Chain Reacts To: Purely Grey – ’27’

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On January 11th, 1992, Alex Soborov was born. Since then, he has made dozens and dozens of chiptune tracks and other music as Purely Grey and, previously, Twistboy. He has contributed to Chiptunes = WIN as both a musician and a judge, and he’s run a family-owned (aren’t they too cute?!) netlabel called Tracked for chiptune releases and cassette tapes for nearly three years now. In 2018, Alex released a track every single week, and on January 11th, 2019, many of them were put together to form ’27’, a celebration of Soborov’s 27th year on this earth. Supposedly. Based on this music, he may have been studying the arts somewhere else, learning another plane’s stellar wisdom.

Bursting with clarity, consistency, and an endearing freshness to it, ’27’ is shaping up to be my favorite album released this year, and I’m saying that in February. It’s full of enthusiastic decisions, delicious instrumentation, fun harmonies, interesting melodies, gutsy and smart rhythm, and an integral originality in how each track is structured and how they bounce off one another.

Let’s start at the ending.

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Aydan Appreciates: ‘Rikki & Vikki OST’ by RushJet1

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From my earliest days on FlashFlashRevolution in 2008, I was intimately familiar with a few of RushJet1’s compositions. ‘Almost There’ and ‘Fighting for Control’ are two pieces that I remember fondly as two of my favorite files in the game, and his complicated rhythms and use of numerous melodic voices gave me a deeper appreciation for the finer things in chipmusic before I was fully aware of the genre and community. Just after Christmas Day of 2018, a game called ‘Rikki & Vikki’ was released with modest, yet positive, acclaim. ‘Rikki & Vikki’ is a puzzle-platformer that can be played alone or cooperatively, and is highly reminiscent of the ‘Mega Man’ series, with each puzzle taking place on a single screen. In addition to its lovable visual aesthetic, RushJet1’s soundtrack perfectly complements the game and stands alone as a marvelous example of chipmusic done well. Let’s dive in!

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THE CLOVER AWARDS: 2018

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The new year is in full swing – MAGFest has come and gone, Chipwrecked is preparing for another great lineup, and we’ve already got a few fun 2019 chiptune releases! But such an active community also makes for a lot you may have missed, and I’d like to give the last year a final sendoff before moving onto this one. I’m proud of the work I did in 2018, but there was a lot I didn’t get to talk about as well. This scene is bursting with music to enjoy and appreciate, so while I can only cover a small portion of it, I’d like to try and spotlight some tunes that deserve the attention.

Naturally, I will be doing this in the silliest way possible.

(Collage by Hoodie)
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Aydan Appreciates: ‘Dizzy Knight Original Soundtrack’ by Norrin Radd

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Hey, all you chipfans out there! It’s been a hot minute because a lot of HUGE things have been happening in my life [Editor’s note: congrats to Aydan on getting married! ♥], but I’m back with an OST review hot off the press! Dizzy Knight is a mobile game released in October 2018, and is highly reminiscent of SNES adventure games, both in graphical aesthetic and in its music. When Norrin Radd released the soundtrack a little longer than two weeks ago on Bandcamp, I knew I’d heard his name somewhere, and upon further sleuthing discovered that he’d written a track for one of the greatest chipmusic compilations ever released, ‘Noisechan and Nugget: Adventures in Chiptunes’. As evidenced by his SoundCloud and Bandcamp portfolio, he specializes in writing highly polished OST music; however, in his own liner notes, he reveals that the tracks on the ‘Dizzy Knight OST’ are more raw in nature. Let’s see what’s in store for us on this OST!

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