As many of you probably know, Yoann Turpin is an artist that I happen to follow quite closely. I’ve always got my eye on him, as he releases high-quality tunes frequently, and he’s often one of the first artists who comes to mind when I’m deciding what album I’d like to review each month. On March 27th, he released ‘Rhythm’n’Bits 2’, a direct sequel to the first album he had written and released nearly seven years prior, and the album is filled with the intricately beautiful compositions I’ve come to know and love from Turpin. I’m elated to have the opportunity to review this piece of work.
You like jazz? I sure do. Jazz music is the foundation for numerous music genres nowadays, including progressive, funk, swing, world fusion, and… chipjazz. Of course, the one that’s likely the most relevant to our community is chipjazz, and what would the genre be without one of its greatest contributors, Yoann Turpin? An extremely prolific and talented artist, Yoann has been featured several times on the blog, and for good reason; his music is beautifully composed, catchy, and impressive in every sense of the word. Just last month he released ‘Chip Songbook Vol. 7’; the name alone is a great example of just how much music this artist has put out, and this is just as wonderful an album as the many others that he’s put forth. What aural fables lie in wait for us? There’s only one way to find out!
Keyboardist, composer, and chipmusician Yoann Turpin has seen a number of his works featured in the ChipWIN community, be it his submission to the ChipWINter compilation, 2014’s ‘FriendChip’, or 2015’s ‘Chip Songbook Vol. 6’. His music is known throughout our niche for its funky vibes, his phenomenal work on the keys, and jazzy, improvisational solos that’re all ingredients for truly gorgeous music. His latest release, ‘Random Smash Hits’, is a collection of three short weeks’ worth of Turpin’s aural artwork. As if the sheer quantity of music he’s released in the last two years wasn’t enough to turn heads, the speed with which this album was composed and mastered is astounding.
So let’s see what chiptune chart-topping pieces lie in wait!
The sublime sounds of french keyboardist Yoann Turpin are among the best in all of chipmusic. I first became aware of his work with the release of ‘Rhythm’n’Bits’ via the Ubiktune netlabel, as I’m sure many of you have as well. Its infectious blend of funk and chip quickly landed it as being one of my all-time favorite chiptune albums. Since that now classic release, Yoann has kindly contributed to the ChipWINter Wonderland album, and has been releasing loads of masterful music on his own at an astonishing rate. Among them has been an ongoing collection of songs called the ‘Chip Songbook’, which is a true gift for any chiptune fan. Let’s take a listen to ‘Chip Songbook Vol. 6’!
Sup y’all? =) President Hoodie here, ready to happily introduce this multi-writer full review of our newly released chipWINter Wonderland compilation! Kicking off this collaborative writing project is none other than Mr. Viridian Forge! Do it to it, Wayne!
‘Snowball Fight Tonight’ by Aethernaut
Infused with the magic of fresh snowfall, Aethernaut’s ‘Snowball Fight Tonight’ is undeniably the correct choice to have opening this year’s ChipWINter compilation. Warm toned arps, rising riffs, and a steady beat merge together to give the piece a backdrop that belongs on a Christmas card. The authenticity comes from the vocal samples that appear throughout the track, which truly convey the feeling that you’re in the midst of an old fashioned impromptu neighborhood snowball melee.
Building on the childhood reveries Aethernaut may have left the listener with, ‘Tinsel Time’s twinkling opening hearkens, perhaps, to warm evenings decorating the old tannenbaum with loved ones. About thirty seconds in, powerful chip-based shredding slaps the sense back into them, tearing apart any preconceptions about what’s going on here. tiasu moves between these two themes skillfully, illustrating both the reverence and exuberance that imbue the spirit of the season.
Switching up the tempo and tone of the compilation, Polar Sunrise has the feel of a more ‘traditional’ holiday piece. Appropriately, the richness of the music, authenticity of the bells and reflective pacing encourage taking the time to appreciate the chance to reflect on the events of the year. Moreover, the warmth of the composition really brings home the spirit of spending time with loved ones during this time of the year.
With Cool Winds, the fluctuations in how the spirit of winter is evoked continue. Subdued compared to the previous tracks, Joshua Morse’s submission to the compilation is meditative, and space-y. With a sound palette consisting of fat sweeps, twinkling plucks, liquid droplets, and remote sleigh bells, Mr. Morse has put together an honestly evocative track. To my ear, this is the perfect soundtrack to gazing quietly out onto a frozen lake from snow covered hills, as a gentle breeze pulls snowflakes across the starry twilight.
Four tracks in, and this review is just getting started. Hold onto your hot cocoas, because Glenntai is taking the reins for the next section of the release!
‘Borealis Palace’ by Toni Leys
“Borealis Place” starts off as a smooth jazz piece accompanied by round bells and pulse leads before nearly manically-transitioning into a very bright and driven trance vibe. While the latter is the concept the song eventually focuses on, Toni Leys demonstrates a clear and exemplary knowledge and execution of not only both concepts but maintaining a tasteful amount of drama both between transitions and on the beginning and end of the song.
To break a personal rule of mine, I would genuinely compare this track to what sounds like: an experiment between fusing together the soulful and jazzy vibes of the Breath of Fire III soundtrack and (apparently a “controversial” opinion time) what the “NiGHTS Into Dreams…” OST should have sounded like.
As much as “Borealis Palace” rhymes brings on a strong smooth vibe, anyone familiar with Yoann Turpin’s music knows to prepare themselves for a soul-villed journey through a grove-filled jazz track that’s bound to make you feel good from the inside-out. “Bit’s Carol Groove” is no exception! Every chorus is impressively written, the melody from the top of the head onward is not only memorable but varies enough to where every embellishment of a note and their following solos stand out and give life to every note it plays. From legends such as Dubmood, demoscene veteran and amazingly-cool-person Ultrasyd, all the way to newcomers Please Lose Battle, France has had a variety of incredibly talented artists in the chip scene (and let’s face it, a ton of other music scenes.) That said, I’m incredibly delighted to see Metz’s Yoann Turpin finally contribute a solo track to a ChipWIN project.
Coming in from a completely different, yet equally masterfully crafted perspective, Kartmaze is a stellar example of 80’s synth aesthetic and chipmusic blending together to create an incredibly grand soundscape full of pads, reverb and melodic harmony. “Cyberia” is very much a track that has a heavier march pattern to its rhythm to give a sense of urgency to its accompanying chord progression, tasteful use of arpeggio accompaniment and a haunting but clear melody that sticks with you. Half-way through the song we get to some pizzicato solo elements with the rest of the track resting for the better part of a measure and a half. It was a very clever way to disguise the fact that Kartmaze included a change in both the rhythm and time signature, making what seemed to be a great conceptual reference to “Carol of the Bells.”
‘Pieces of Eight + Azuria Sky’ by Ave Maria (Bach, Gounod)
Of course, with me making reference to Pieces of Eight’s fantastic drum solo on Volume 3, it only fits perfectly that the last track I get to review is one made by the artist from North Carolina that I’ve had the honor of collaborating with on the “Merry Chipmas” compilation curated by MicroCollective (‘lo Sam!)
What we have here, of course, is a cover of “Ave Maria.” While normally I’m the type to shrug most covers, Pieces of Eight has solidly demonstrated in previous covers that he can take a song and accentuate it to bring a larger, more dramatic tone, resulting in some sincerely show-stopping pieces. This is no exception to that rule. Along with covering the track’s melody, bassline, and key, Adam mixed in Enya-esque backing vocals from Azuria Sky, which mix well with the barrage of what sounds like double-single-channel echo and reverb on arpeggios going over the entire scale of each section’s key.
I think, somewhere buried deep down inside all of us, is a tune or a sound font that we associate with a place or a person. The same thing goes with winter, and that’s exactly what Jredd’s ‘Snow Day’ gives us. This track sounds near identical to what I would have expected to hear in a 90’s anime for a snow day episode – if I didn’t know better, I’d have thought this track was lifted right out of Sailor Moon. It’s upbeat, it’s happy, it’s bouncy, but it’s not too saccharine as to make you roll your eyes. It is, the musical quantification of how you might feel on a snow day, walking around town, bubbling inside because you know you get to skip that test you had today. Leave the responsibilities to the adults – jam out to ‘Snow Day’ on your snow day!
‘Fun with Fractional Freezing’ by Spaceman Fantastiques
When I saw the name of this track, ‘Fun With Fractional Freezing,’ I had to look up what that meant. I knew I had heard it before. Turns out, that’s the process you use to make one of my favorite liquors, applejack – it’s used to separate out water in liquor like distillation but so, so much simpler. And it struck me, that name is actually quite appropriate. Fractional freezing, like this song, is a very relaxed process: it’s slow, it’s calm, it’s simple. Also like its namesake, you know you’re getting something done while you’re doing it and this song continuously builds: it slowly getting louder and more complex. And, like any liquory treat, you end up with an end result you really like. This song is exactly that: smooth and chill with new elements appearing until the end result is something you know you’ll enjoy going back to.
I have a firm belief that any track willing to open up with a “WOO” is either going to be amazing or horrible. The good news is, ‘I’m Better Than You’ turns out to be in that first category by a wide margin. You’ve got the super tight percussion Reckahdam is known for thrown in with beats that would seem at home in a Bare Knuckle Streets of Rage game. At the risk of sounding entirely too cheesy, this track puts the “win” in winter – while you have the high, sustained notes and the twinkly sounds from time to time, this track is all about getting down and rocking out. If ‘Snow Day’ was a group of kids walking down the road on a day off, ‘I’m Better Than You’ is the soundtrack to the inevitable snowball fight. The track wraps up with the familiar “gleamy” noise from the Sega – and I can just imagine Roger finishing banging out the final drum solo and then flashing a thumbs up and a smile while it happens.
After such an intense track, you probably need something calm to…cool down with, right? Riiiiight? Good, because ‘Cold’ is exactly what you need. This track is 89% ambiance and mood building – it’s a tune out and chill kind of track (no pun intended…this time). This song is the auditory equivalent of soaking in a Jacuzzi with the jets on low – soothing, with just a little bit going on to keep you from completely detaching from reality. Although I wouldn’t call this song trance, it will definitely put you in a trance. Just don’t listen to this song in an actual snowstorm, because none of us here at ChipWIN want you to space out while listening to the album and get hypothermia and become popsicles. Chiptune responsibly, people.
Reviewing the final 4 tracks of the compilation is R. Morgan Slade aka PixelRecall!
‘Guard Duty on Station Arctemp 323e’ by Russellian
‘Guard Duty on Station Arctemp 323e’ is an assault on your senses. Harnessing a winter storm as a foundation, ‘Guard Duty on Station Arctemp 323e’ by Russellian shifts and changes in and out of melodies and speeds, delivering a sense of loss and bewilderment, much like one could feel on patrol in an isolated arctic complex. Russellian succeeds in creating a fluid, disconcerting attack on your perceptions and expectations, delivering an intense stream-of-consciousness with ‘Guard Duty on Station Arctemp 323e’.
Delightful, minimalistic, hopeful. ‘Snowflakes Are Falling Stars’ by Matthew Squibb does a lot with very little. ‘Snowflakes Are Falling Stars’ employs what sounds like fewer than 6 channels, capitalizing on the freedom that comes with such a limitation and disregarding the urge to shoehorn unnecessary bells and whistles, resulting in a thoughtful and purposeful little chiptune-track-that-could.
Over a continuous chorus hum, Square Therapy delivers a beautiful rendition of Silent Night with ‘A Very Squarey Xmas’ that takes its time, and builds with true feeling, ultimately abandoning the serene choral sounds for a rockin’ rendition of Gloria in Excelsis Deo to bring the house down. High octane; ‘A Very Squarey Xmas’ by Square Therapy is the holiday jam you didn’t know you needed, and will no longer live without.
‘Fireplace’ by subPixel takes swing-chip to funky places to close out the album, leaning into slides and transitions with such organic timing that you could confuse it for a live set. subPixel takes an entertaining tangent away from the established melody to experiment with unexpected swinging synth alternatives and the welcome jingle jangle of bells that synch the holiday cheer together with ‘Fireplace’s funky swing in a nice chiptune bow.
Some funky chip swing winter fun going on right up in here.